In this Book

The Black Prairie Archives: An Anthology

Book
Karina Vernon
2020
summary

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. 

This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them.

The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

• published in the context of #blacklivesmatter
• illuminates the current context of black life and political struggle by bringing forward a range of accounts of individual and collective struggle often left out of Canadian media
• enriches our understanding of black Canada
• includes never-before-published work from 19th century black fur traders and pioneers as well as contemporary writing

Table of Contents

Cover

Title Page, Copyright, Dedication

pp. i-vi

Contents

pp. vii-xii

Acknowledgements

pp. xiii-xvi

Introduction

pp. 1-38

Daniel T. Williams (ca. 1840-1887)

pp. 39-41

Notebook 1872-1875

pp. 41

Letter to Hudson's Bay Company Factor, George Kennedy, April 12, 1873

pp. 42

Alfred Schmitz Shadd (1870-1915)

pp. 43-45

To the Electors of the District of Kinistino

pp. 45-46

Defamation

pp. 46-47

Sorry but Happy

pp. 47

Mildred Jane Lewis Ware (1871-1905)

pp. 48-49

Letter May 4, 1898

pp. 50

Letter June 6, 1898

pp. 50-51

Letter June 20, 1899

pp. 51

Reverend George Washington Slater, Jr. (1873-1940)

pp. 52-55

Why I Became a Socialist

pp. 55-57

Emancipation

pp. 57-59

Our Negro Citizens (April 17, 1922)

pp. 59-61

William Sylvester Alpheus Beal (1874-1968)

pp. 62-64

Big Woody

pp. 64-69

Rosa Shannon (ca. 1880-1931)

pp. 70

From Window of Our Memories: "We gave our lives to this part of the country"

pp. 70-73

Alice Ethel Lewis (1886-1960)

pp. 74

In Loving Memory of Alberta

pp. 74-75

Jefferson Davis Edwards (1888-1979)

pp. 76-77

From Window of Our Memories: "There was a cloud over Amber Valley"

pp. 77-81

John Bell Bowden (1888-1982)

pp. 82

Interview with Velma Carter: "Always be a factor in the community!"

pp. 83-87

Sylvester Long (1890-1932)

pp. 88-90

My Trail Upward: I Took It Because I, a Blackfoot Indian,Wanted to Live Like a White Man

pp. 90-95

From Long Lance: The Autobiography of a Blackfoot Indian Chief

pp. 96-102

Canoe Song

pp. 102-103

Death Song of Long Lance

pp. 103-104

Martha Edwards (née Murphy) (1890-1977)

pp. 105

From Window of Our Memories: "That is what pioneers had to go through"

pp. 106-107

Dr. Amanda Janet (Nettie) Ware (1893-1989)

pp. 108-109

John Ware

pp. 109-113

E.A. Cobbs (dates unknown)

pp. 114-115

Black Cultural Research Society Interview: "This bias was good, for it caused the black people to fight"

pp. 115-119

Ellis Hooks (1907-1979)

pp. 120-121

From the Provincial Archives of Alberta Oral History Project: "The way I felt, I wanted to plead guilty: I wanted the world to know"

pp. 121-126

Luther Gerard (1914-2004)

pp. 127

From Window of Our Memories: "Community spirit"

pp. 127-132

Woody Strode (1914-1994)

pp. 133-134

From Goal Dust

pp. 134-144

Lloyd Mayes (1916-ca. 1972)

pp. 145

"From North of the Gully: "Homebrew""

pp. 145-149

Golder ("Goldie") Gordon (dates unknown)

pp. 150

From North of the Gully: "Even the bad was good"

pp. 150-154

Gwendolyn Hooks (1920-2018)

pp. 155

From The Keystone Legacy: Recollections of a Black Settler: "We were considered Indians"

pp. 156-159

Fil Fraser (1932-2017)

pp. 160-163

From Alberta's Camelot: Culture & the Arts in the Lougheed Years: "Alberta's own Quiet Revolution"

pp. 163-173

Claire Harris (1937-2018)

pp. 174-176

From Drawing Down a Daughter

pp. 176-182

Addena Sumter-Freitag (1944-)

pp. 183

From Stay Black & Die

pp. 184-189

Linus Tongwo Asong (1947-2012)

pp. 190-191

From No Way to Die

pp. 191-201

Nigel Darbasie (1950-)

pp. 202-203

Our Subdivision

pp. 203

Pan Man

pp. 203-205

New Terra

pp. 205

Tololwa M. Mollel (1952-)

pp. 206-207

Feasting on Words

pp. 207-217

Canada Dry

pp. 217-219

Selwyn Jacob (ca. 1950s-)

pp. 220-221

A Filmmaker's Journey to an Untold Story

pp. 221-223

F.B. André (1955-)

pp. 224-225

Is There Someone You Can Call?

pp. 225-231

Cheryl Foggo (1956-)

pp. 232-234

From Pourin' Down Rain

pp. 234-240

From John Ware Reimagined

pp. 240-250

Lawrence Hill (1957-)

pp. 251-253

Meet You at the Door

pp. 253-266

Margaret Robinson-Gudmundson (1957-)

pp. 267

The Severance

pp. 268-274

George Bwanika Seremba (1958-)

pp. 275-276

From Come Good Rain

pp. 276-296

Valerie Mason-John (1962-)

pp. 297-298

Self Portrait Two

pp. 299-300

Yellowknifed

pp. 300-301

Nduka Otiono (1964-)

pp. 302-303

Homeland Securities

pp. 303-305

Archive Fever

pp. 305-306

University of Work

pp. 307-308

Sheila Addiscott (1964-)

pp. 309-310

Coloured

pp. 310-315

Suzette Mayr (1967-)

pp. 316-318

From Monoceros

pp. 318-323

From Dr. Edith Vane and the Hares of Crawley Hall

pp. 323-332

Dawn Carter (1968-)

pp. 333-334

Restoration

pp. 334-335

A Monumental Love

pp. 335-336

Get into My Car

pp. 336-337

Minister Faust (1969-)

pp. 338-339

From The Coyote Kings of the Space-Age Bachelor Pad

pp. 339-344

From The Alchemists of Kush

pp. 344-353

Deanna Bowen (1969-)

pp. 354-355

sum of the parts that can be named

pp. 355-365

Bertrand Bickersteth (1969-)

pp. 366-367

Accidental Agriculture

pp. 367-369

What We Used to Call It

pp. 369

We, Too

pp. 370-371

The Invisible Man on the Prairies

pp. 371-372

Troy B. Bailey (ca. 1960s-)

pp. 373-374

From The Pierre Bonga Loops

pp. 374-378

Wakefield Brewster (1972-)

pp. 379-380

i can

pp. 380-383

mediumz

pp. 383-386

Odario Williams (Mood Ruff) (1972-)

pp. 387-388

Front from the Past, Pt. II

pp. 388-390

Front from the Past, Pt. III

pp. 390-392

Bola Opaleke (1973-)

pp. 393

The Autobiography of Water

pp. 394-397

Chantal Hitayezu (birthdate unknown)

pp. 398

My Grandfather's Poem, My Grandmother's Dance

pp. 398-403

Ian Samuels (1975-)

pp. 404-405

From The Ubiquitous Big

pp. 405-408

Kaie Kellough (1975-)

pp. 409-410

boy hood dub II

pp. 410-413

night gallery

pp. 413-415

vox versus

pp. 415-417

Georges Edy Laraque (1976-)

pp. 418-420

From Georges Laraque: The Story of the NHL's Unlikeliest Tough Guy

pp. 420-429

Esi Edugyan (1978-)

pp. 430-432

From The Second Life of Samuel Tyne

pp. 432-438

Nestor Wynrush (Elliott Walsh) (1978-)

pp. 439-440

Winnipeg South Blues

pp. 440-444

Ole Mine Town

pp. 444-445

Nehal El-Hadi (1979-)

pp. 446-447

Djinn in Saskatchewan

pp. 447-448

La Puerta

pp. 448-458

Francisco Alexander Fwallah (ca. 1980s-)

pp. 459

Na Corrente do rio ("In the River Flow")

pp. 460

Aquilo que Mereces ("What You Deserve")

pp. 460-461

Michelle Jean-Paul (1980-)

pp. 462

Learning to Love Me

pp. 463-465

Marika Warner (1981-)

pp. 466-467

From Mulatto Nation

pp. 467-480

Lisa Codrington (1982-)

pp. 481-482

From Cast Iron

pp. 482-493

Khodi Dill (1983-)

pp. 494-495

Grey

pp. 495-497

Holes

pp. 497-499

Oil and Water

pp. 499-500

Ahmed Ali (Knowmadic) (1984-)

pp. 501-502

Child Soldier

pp. 502-503

Tchitala Nyota Kamba (ca. 1984-)

pp. 504-505

Récit d'un voyageur: Rêve ou utopie ("Tale of a Traveler: Dream or Utopia")

pp. 505-510

Makala!

pp. 511-513

Je suis d'ici, je suis d'ailleurs ("I'm from Here; I'm from Over There")

pp. 514-518

Títílopé Sónúgà (1985-)

pp. 519-520

Grandpa Igbobi

pp. 520-521

Sacrifice

pp. 521-525

Roland (Rollie) Pemberton (Cadence Weapon) (1986-)

pp. 526-527

Oliver Square

pp. 527-529

30 Seconds

pp. 529-531

How Black?

pp. 531-533

Frank Fontaine (Young Kidd) (1988-)

pp. 534-535

Wonderful Winnipeg

pp. 535-537

Hometown

pp. 537-539

Miranda Martini (1990-)

pp. 540

The Drinking Gourd: Three Tales

pp. 541-548

Works Cited

pp. 549-566

Copyright Acknowledgements

pp. 567-572

Index of Authors and Titles

pp. 573-576
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