In this Book

Mixed Race Hollywood

Book
Mary Beltran, Camilla Fojas
2008
Published by: NYU Press
summary

A Kansas City Star 2008 Notable Book
Since the early days of Hollywood film, portrayals of interracial romance and of individuals of mixed racial and ethnic heritage have served to highlight and challenge fault lines within Hollywood and the nation’s racial categories and borders. Mixed Race Hollywood is a pioneering compilation of essays on mixed-race romance, individuals, families, and stars in U.S. film and media culture.
Situated at the cutting-edge juncture of ethnic studies and media studies, this collection addresses early mixed-race film characters, Blaxploitation, mixed race in children’s television programming, and the "outing" of mixed-race stars on the Internet, among other issues and contemporary trends in mixed-race representation. The contributors explore this history and current trends from a wide range of disciplinary perspectives in order to better understand the evolving conception of race and ethnicity in contemporary culture.

Table of Contents

Cover

Title

Contents

Introduction: Mixed Race in Hollywood Film and Media Culture

pp. 1-20

Part I: Miscegenation: Mixed Race and the Imagined Nation

1. Classical Hollywood and the Filmic Writing of Interracial History, 1931–1939

pp. 23-44

2. Mixed Race Frontiers: Border Westerns and the Limits of “America”

pp. 45-63

3. Mixedfolks.com: “Ethnic Ambiguity,” Celebrity Outing, and the Internet

pp. 64-83

Part II: Identity, Taboo, and “Spice”: Screening Mixed Race Romance and Families

4. Catching Up with History: Night of the Quarter Moon, the Rhinelander Case, and Interracial Marriage in 1959

pp. 87-112

5. A Window into a Life Uncloseted: “Spice Boy” Imaginings in New Queer Cinema

pp. 113-135

6. The Biracial Subject as Passive Receptacle for Japanese American Memory in Come See the Paradise

pp. 136-154

Part III: Genre, Mixed Race, and Evolving Racial Identities

7. Race Mixing and the Fantastic: Lineages of Identity and Genre in Contemporary Hollywood

pp. 157-181

8. Virtual Race: The Racially Ambiguous Action Hero in The Matrix and Pitch Black

pp. 182-202

9. From Blaxploitation to Mixploitation: Male Leads and Changing Mixed Race Identities

pp. 203-220

Part IV: Generation Mix? Shifting Meanings of Mixed Race Figures

10. Detecting Difference in Devil in a Blue Dress: The Mulatta Figure, Noir, and the Cinematic Reification of Race

pp. 223-247

11. Mixed Race in Latinowood: Latino Stardom and Ethnic Ambiguity in the Era of Dark Angels

pp. 248-268

12. Mixed Race on the Disney Channel: From Johnnie Tsunami through Lizzie McGuire and Ending with The Cheetah Girls

pp. 269-289

13. The Matrix Trilogy, Keanu Reeves, and Multiraciality at the End of Time

pp. 290-312

Contributors

pp. 313-315

Index

pp. 317-325
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