In this Book
Speech and Silence (Single-Volume Anthology)
Book
2019
Published by:
The Chinese University of Hong Kong Press
summary
Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” This anthology includes selected works of these 30 poets, presented with Chinese and English translations in bilingual/trilingual formats.
Poets include Ana Luísa Amaral (Portugal), Maxim Amelin (Russia), Renato Sandoval Bacigalupo (Peru) , Jen Bervin (USA), Ana Blandiana (Romania), Tamim Al-Barghouti (Palestine), Abbas Beydoun (Lebanon), Miłosz Biedrzycki (Poland), Derek Chung (Hong Kong), Louise Dupré (Canada), Forrest Gander (USA), Hwang Yu Won (South Korea), Maozi (PRC), Mathura (Estonia), Sergio Raimondi (Argentina), Ana Ristović (Serbia), K. Satchidanandan (India), Martin Solotruk (Slovakia), Aleš Šteger (Slovenia), Maria Stepanova (Russia), Tóth Krisztina (Hungary), Ijeoma Umebinyuo (Nigeria), Anastassis Vistonitis (Greece), Jan Wagner (Germany), Ernest Wichner (Germany), Yang Chia-Hsien (Taiwan), Yasuhiro Yotsumoto (Japan), Yu Youyou (PRC), Zheng Xiaoqiong (PRC), and Zhou Yunpeng (PRC).
Table of Contents
Title Page, Copyright
pp. 1-5
Speech and SilenceâInternational Poetry Nights in Hong Kong 2019
pp. 6-9
Contents
pp. 10-15
Tamim Al-Barghouti
ä½ æ´»å¨é¿æä¼¯ä¸ç In the Arab World, Live
pp. 18-20
å¨è¶è·¯æå· In Jerusalem
pp. 21-31
Ana LuÃsa AMARAL
Testamento éºå Testament
pp. 34-36
TÃtulo por haver é¡ç®å¾ å® Title to Be Decided
pp. 37-38
Perguntas åé¡ Questions
pp. 38-41
Nú: Estudo em comoção 祼é«ï¼æ¿æ ç ç©¶ Nude: A Study in Poignancy
pp. 41-44
Quarto-crescente æ°æ Crescent Moon
pp. 44-45
Maxim AMELIN
«ÐоÑпеÑим» ãå¿«ä¾è£é»éæ¨¸ç´ çæ¡åãâLetâs hurryâ
pp. 48-50
«Ðне Ñ Ð¾ÑелоÑÑ Ð±Ñ ÑобÑÑвеннÑй дом имеÑÑ» ãææ³æä¸æèªå·±çæ¿åãâI wish I owned my own homeâ
pp. 51-52
«Ðо ÑÑÑам, воÑÑÑав как из гÑоба» ãæ¯å¤©æ¸ æ¨ï¼ æå¨æ£ºæ¨ä¸éä¾ã âRising at morning from my gravesideâ
pp. 52-53
ÐÑÐ¿Ð¾Ð²ÐµÐ´Ñ Ð¿ÐµÑепиÑÑика æå¯«å¡çèªç½ The Scribeâs Confession
pp. 54-55
«ÐаÑÑÑение, а не вкÑÑ» ãè¦è±çï¼èéåå³ã âSatiety prevails, not tasteâ
pp. 56-57
Renato Sandoval BACIGALUPO
Para Tao Yuanming è´é¶æ·µæ For Tao Yuanming
pp. 60-61
Para Po Chuâi è´ç½å± æ For Po Chuâi
pp. 62-63
Para Wang Wei è´çç¶ For Wang Wei
pp. 64-65
Para Meng Haoran è´åæµ©ç¶ For Meng Haoran
pp. 66-67
Del TaoÃsmo al TeÃsmo å¾éæå°æç¥è« From Taoism to Teaism
pp. 68-69
Jen BERVIN
Silk Poems (Excerpts) 絲詩ï¼ç¯é¸ï¼
pp. 72-91
Abbas BEYDOUN
Ø§ÙØµÙ ت ÙØ§Ùد٠æ²é»èè¡ Silence and Blood
pp. 94-95
Ø¬Ø±Ø Ø§ÙØ²Ø¬Ø§Ø¬ é¡ççå·ç A Glass Wound
pp. 96-99
عطر Ø§ÙØ·Ø±ÙÙ è·¯çé¦å³ Road Perfume
pp. 100-101
Ø±Ø³Ù ç« A Sketch
pp. 102-103
غÙÙ Ø© é² Cloud
pp. 104-105
MiÅosz BIEDRZYCKI
JesteÅ przestrzeniÄ , jesteÅ gekonem ä½ æ¯ç©ºéï¼ä½ æ¯å£è You Are Space, You Are a Gecko
pp. 108-109
O doniosÅoÅci klasy robotniczej è«å·¥äººéç´çåè¶å°ä½ On the Preeminence of the Working Class
pp. 110-111
ânajgroźniejsze jest jednak powietrzeâ ãæå±éªçå°±æ¯ç©ºæ°£ã âthe most dangerous of all is airâ
pp. 112-113
âjestem nocÄ która nie chce siÄ skoÅczyÄâ ãææ¯ä¸å䏿³çµæç夿ã âI am a night that doesnât want to endâ
pp. 114-115
Hymn èæ Hymn
pp. 116-117
Ana BLANDIANA
Corabia cu poeÅ£i è©©äººè¹ Ship of Poets
pp. 120-121
Ãngeri bÄtrâni è天使å Old Angels
pp. 122-123
Un cal tânÄr ä¸å¹å¹´è¼ç馬 A Young Horse
pp. 124-125
Animal Planet åç©æç Animal Planet
pp. 126-127
Alb pe alb ç½ä¸ç½ White on White
pp. 128-131
Derek CHUNG
æ°´äº The Well
pp. 134-137
æ½å± The Drawer
pp. 138-139
é¨é¤ä¸ä¸åº§æäº®çæ¿å A Bright House After Rain
pp. 140-143
Louise DUPRÃ
Plus haut que les flammes (Extraits) 髿¼ç«ç°ï¼ç¯é¸ï¼Beyond the Flames (Excerpts)
pp. 146-161
Forrest GANDER
Son å å
pp. 164-165
Beckoned å¯è½
pp. 166-167
Immigrant Sea æµæµªæµ·
pp. 168-169
In the Mountains å±±ä¸
pp. 170-171
HWANG Yu-Won
모ëê° ììì§ë íì´ ìì ììë¤ ä¸åçå¨å¾ççé½å ä¸ Everything Soaked by the Rays of the Sun
pp. 174-177
íì° (å¯å±±) ìì å¨å¯å±±ä¸ On the Cold Mountain
pp. 178-181
MAOZI
å Roundness
pp. 184
é£å¾åº¸å¸¸ä¸åèµ·çâ¦â¦ Those that Rise from Mediocrity
pp. 185
è³ç³äºº The Gambler
pp. 186
失æä¹å¿ The Heart of Failure
pp. 187
éåä¹è©© A Poem of Devolution
pp. 188-189
MATHURA
Tursaneemel çå¡ Lighthouse
pp. 192-193
Maastikusse minek èµ°é²é¢¨æ¯ Entering the Landscape
pp. 194-195
Meri. Ãheksa akvarelli 大海ãä¹è²æ°´å½© The Sea. Nine Watercolours
pp. 196-197
Rothko ç¾ æ¯ç§ Rothko
pp. 198-199
Kividena å¦ç³ As Stones
pp. 200-203
Sergio RAIMONDI
Sileno en la Estación de Ferrocarril ç«è»ç«ç西ååªæ¯ Silenus at the Railway Station
pp. 206-207
Qué es el mar ä»éº¼æ¯æµ· What the Sea Is
pp. 208-209
Hoy cocina Matsuo BashÅ ä»å¤©æ¾å°¾èèæåº Today Matsuo BashÅ Cooks
pp. 210-211
El poeta menor ante el nacimiento de su hijo å åéçä¹éçå°è©©äºº The Minor Poet on the Birth of His Son
pp. 212-213
Fish Block å·åéå¡ Fish Block
pp. 214-215
Ana RistoviÄ
СÑпÑÑжниÑи за ÑаÑÑаÑÑÑама éµç¤ä¸çé å¶ Spouses at Keyboards
pp. 218-220
СпаваÑи Ñа медведима èæ³°è¿ªçåç Sleeping with Teddy Bears
pp. 221-224
ЦÑнаÑоÑква é»è¿è Black Radish
pp. 224-227
ÐконÑлe åé¶ç«å Circling Zero
pp. 227-231
K. Satchidanandan
Stammer å£å
pp. 234-235
The Mad çå
pp. 236-237
To Meet My God è¦æç¥
pp. 238-239
How to Go to the Tao Temple å¦ä½å»éè§
pp. 240-243
One Grief 䏿¬¡æ²å·
pp. 244
Learning Languages å¸ç¿èªè¨
pp. 245
Martin SOLOTRUK
Mraãenie v polãase rozpadu çºçå¨åè¡°æ Frowning in Half-Life
pp. 248-253
Improbable Balance of Roots æ ¹ä¹éä¸å¤§å¯è½ç平衡
pp. 254
Lousiness çè¨
pp. 255
Being Just Like Having Nothing å°±åä¸ç¡ææé£æ¨£åå¨
pp. 256-257
Aleš ŠTEGER
Dragi moj oÄe æè¦ªæçç¶è¦ª My Dear Father
pp. 260-262
Mati moja æçæ¯è¦ª My Mother
pp. 263-264
Moj mali bog æçå°ç¥ My Little God
pp. 264-265
Moje telo je centralni komite æçèº«é«æ¯ä¸åä¸å¤®å§å¡æ My Body Is a Central Committee
pp. 266-268
Zid ç Wall
pp. 269-271
Maria STEPANOVA
«ÐеÑÑ ÑазниÑÑ Ð¼ÐµÐ¶Ð´Ñ»ãéå ©è ä¹éæ²æå·®å¥ã âNo difference between first and secondâ
pp. 274-275
«ЦвеÑок ÑмиÑÐ°ÐµÑ Ð¿Ð¾Ð´ кожей ÑÑекла» ã䏿µè±æ£å¨ç»ççç®èåºä¸æ»å»ãâThe flower dies under a skin of glassâ
pp. 276-278
«ЧеловеÑеÑкое Ñело»ã人ç身é«ãâThe human bodyâ
pp. 279-280
«ÐÐ¸Ð·Ð½Ñ ÑÑ Ð¿ÑоÑÐµÑ Ð° нÑждаÑÑаÑÑÑ Ð² поÑинке» ãçæ´»ä½ æ¯äºå¾ ä¿®ççç ´æ´ã âLife, you are a gash in need of stitchingâ
pp. 280-281
«Те, кÑо деÑÐ¶Ð¸Ñ Ð²Ð¾ ÑÑÑ»ãé£äºä¸éå§å°å¿ç¿¼ç¿¼ã âThose who carry in their mouthsâ
pp. 282-283
TÃTH Krisztina
Kelet-európai triptichon æ±æä¸è¯ç« East-Europe Triptych
pp. 286-291
Az egérrÅl èé¼ After a Mouse
pp. 292-293
Ijeoma UMEBINYUO
The Delicate Acts of Survival å§æ²æ±å ¨ä¹é
pp. 296-297
Conversations with Broken Girls èå¿ç¢ç女åè«è©±
pp. 298
Trigger èª
pp. 299
Splinter æ·è£
pp. 300
Things We Lost in the Fire é£äºæåå¨ç«ä¸å¤±å»çäºç©
pp. 301
Anastassis VISTONITIS
Ars Poetica è©©è Ars Poetica
pp. 304-305
Το ÏεγγαÏι ÏÏο ÏοÏηÏι ç¶ä¸ä¹æ The Moon in the Glass
pp. 306-307
ΠεÏÏα ç³é Stone
pp. 308-309
ÎεÏαÏοÏα é±å» Metaphor
pp. 310-311
Το ÏÎµÎ»Î¿Ï ÏÎ¿Ï ÏÏÎ¿Î½Î¿Ï æéç¡é The End of Time
pp. 312-313
Jan WAGNER
champignons èè mushrooms
pp. 316-317
chamäleon è®è²é¾ chameleon
pp. 318-319
gecko å£è gecko
pp. 320-321
historien: onesilos æ·å²ï¼ææ¶ è¥¿æ´ histories: onesilos
pp. 322-324
selbstporträt mit bienenschwarm è群èªç«å
pp. 325-327
Ernest WICHNER
Levkojen ç´«ç¾ è Matthiola
pp. 330-331
Chrysanthemen èè± Chrysanthemums
pp. 332-334
âFurther und die Gegenwartâ ãå度èç¾å¨ãâFurther and the presentâ
pp. 335-336
âFurther und die Seelenâ ãå度èééãâFurther and the souls of old ironsâ
pp. 336-337
YANG Chia-Hsien
ä¿¡ç© Keepsake
pp. 340-341
æ´åè¯ç¾æ» Violent Waltz
pp. 342
å®åä¸å¼µé¦æ¸¯ä¾çæä¿¡ç Waiting for a Postcard from Hong Kong
pp. 343-344
æªäºçæ æ¸ Noahâs Love Lette
pp. 345-347
YOTSUMOTO Yasuhiro
ç¶é±ç³ ç¶è¦ªç¤¦ç³ Mineral Dad
pp. 350-351
å½±ã®ãªãã®éé å½±ä¸éé An Encounter in Shadows
pp. 352-353
ç¶ã®èå ç¶è¦ªçèå Portrait of a Father
pp. 354-355
ãªï¼ã¢ï¼ãï¼ãï¼ã· çºï¼æ¨ï¼æï¼å Ho-Spit-Al-Ity
pp. 356-363
YU Youyou
ä¸è½ç風 wind can't
pp. 366
磨å sharpening the knife
pp. 367
èªç± freedom
pp. 368
ç¡éª¨ boneless
pp. 369
YUAN An
é·¹çå¼å¯ a hawk whistles
pp. 372-373
黿ä¸ï¼è½èæç´å¾·ï¼ç§æ© in the dark, listening to Leonard Cohen
pp. 374-375
ZHENG Xiaoqiong
é»éº»å¶º Huangmaling Mountains
pp. 378
涼山童工 A Child Laborer on Mt. Liang
pp. 379
ä¸å¹´å¦å¥³ Middle-Aged Prostitutes
pp. 380
ç©¿è¶æå®¿çéå A Needle Hole through the Constellations
pp. 381
è·ªèçè¨èªè Kneeling Workers Demanding Their Pay
pp. 382-383
ZHOU Yunpeng
ä¸æèªªè©±çææ Mute Love
pp. 386
å¦æä½ çªç¶çäºæéº¼è¾¦ What Would You Do If You Suddenly Went Blind?
pp. 387-388
æ°´çä¸ç The Life of Water
pp. 389-390
é æå京 Looking out Towards Beijing
pp. 390-391
æ°è¬ æ¯ä»éº¼ What Is a Folk Song?
pp. 391-396
| ISBN | 9789882378155 |
|---|---|
| Related ISBN(s) | 9789882371200 |
| MARC Record | Download |
| OCLC | 1146265067 |
| Pages | 400 |
| Launched on MUSE | 2020-03-28 |
| Language | English |
| Open Access | No |


