In this Book

American Creoles: The Francophone Caribbean and the American South

Book
Edited by Martin Munro and Celia Britton
2012
summary
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Essays written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The essays focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. Considering figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Edouard Glissant, William Faulkner, Maryse Condé and Lafcadio Hearn, the essays explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity. An Open Access edition of this work is available on the OAPEN Library.

Table of Contents

Cover

Title Page, Copyright

pp. i-iv

Contents

pp. v-vi

List of Illustrations

pp. vii

Acknowledgements

pp. viii

Introduction

pp. 1-16

Creolizations

Lafcadio Hearn’s American Writings and the Creole Continuum

pp. 19-39

Auguste Lussan’s La Famille créole: How Saint-Domingue Émigrés Became Louisiana Creoles

pp. 40-55

Caribbean and Creole in New Orleans

pp. 56-76

Creolizing Barack Obama

pp. 77-94

Richard Price or the Canadian from Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology

pp. 95-110

Music

‘Fightin’ the Future’: Rhythm and Creolization in the Circum-Caribbean

pp. 113-128

Leaving the South: Frantz Fanon, Modern Jazz and the Rejection of Négritude

pp. 129-146

The Sorcerer and the Quimboiseur: Poetic Intention in the Works of Miles Davis and Édouard Glissant

pp. 147-164

Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation

pp. 165-180

Intertextualities: Faulkner, Glissant, Condé

Go Slow Now: Saying the Unsayable in Édouard Glissant’s Reading of Faulkner

pp. 183-196

Édouard Glissant and the Test of Faulkner’s Modernism

pp. 197-215

The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant and Condé

pp. 216-229

An American Story

pp. 230-239

Notes on Contributors

pp. 240-243

Index

pp. 244-256
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