In this Book

  • Hot Feet and Social Change: African Dance and Diaspora Communities
  • Book
  • Edited by Kariamu Welsh, Esailama Diouf, and Yvonne Daniel
  • 2019
  • Published by: University of Illinois Press
summary
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts.

Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh

Table of Contents

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  1. Cover
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  1. Half-title, Title, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Foreword: The Bantaba! Initiation of Purpose
  2. Thomas F. DeFrantz
  3. pp. vii-x
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  1. Preface
  2. Danny Glover, Harry Belafonte, and James Counts Early
  3. pp. xi-xiv
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  1. Introduction: When, Where, and How We Enter
  2. Kariamu Welsh, Esailama G. A. Diouf, and Yvonne Daniel
  3. pp. 1-18
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  1. Part I: Hot Feet and Local Histories
  1. SAUCE!: Conjuring the African Dream in America through Dance
  2. Esailama G. A. Diouf
  3. pp. 21-36
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  1. Dance Rooted in the Movements of Bedford-Stuyvesant: Two Choreographers, One Aesthetic Tradition
  2. Indira Etwaroo
  3. pp. 37-55
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  1. From Warm-up to Dobale in Philadelphia: Embodying “Community” Meaning in a West African Dance Class
  2. Julie B. Johnson
  3. pp. 56-72
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  1. Part II: The Elders’ Work and Works
  1. Ago! Ame!: Baba Chuck Speaks!
  2. Charles “Chuck” Davis with C. Kemal Nance
  3. pp. 75-83
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  1. The “Gospel” of Memory: Inscribed Bodies in the African Diaspora
  2. Kariamu Welsh
  3. pp. 84-103
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  1. Kankouran West African Dance Company, Washington, D.C.
  2. William Serrano-Franklin
  3. pp. 104-113
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  1. Muntu Dance Theatre of Chicago: 1972–2018 and Still Thriving
  2. Amaniyea Payne
  3. pp. 114-122
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  1. Kumbuka African Drum and Dance Collective: In the City and a Prison of New Orleans
  2. Ausettua Amor Amenkum
  3. pp. 123-142
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  1. “The Fierce Freedom of Their Souls”: Activism of African Dance in the Oakland Bay Area
  2. Halifu Osumare
  3. pp. 143-165
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  1. The African Choreographer’s Envisioning
  2. Naomi Gedo Johnson Diouf
  3. pp. 166-179
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  1. Mentoring Notes on African Diaspora Dance Styles and Continuity
  2. Yvonne Daniel
  3. pp. 180-202
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  1. Part III: Perpetual Motion in the Aesthetics of Africa
  1. Embodying Rhythm: Improvisation as Agency in African Dance
  2. Abby Carlozzo
  3. pp. 205-227
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  1. From Village to International Stage: Baamaaya and the Politics of Adaptation
  2. Steven Cornelius and Habib Iddrisu
  3. pp. 228-248
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  1. Men Walk in Parallel!: Dancing in Chuck Davis’s “Paths”
  2. C. Kemal Nance
  3. pp. 249-262
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  1. Selected Bibliography
  2. pp. 263-278
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  1. Contributors
  2. pp. 279-284
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  1. Index
  2. pp. 285-314
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  1. Back cover
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