In this Book

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A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts—onstage, on screen, in the studio, and on the street—and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.

Table of Contents

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  1. Cover
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  1. Title, Copyright, Editorial Board
  2. pp. i-viii
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  1. List of Illustrations
  2. pp. ix-xii
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  1. Acknowledgments
  2. pp. xiii-xvi
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  1. Introduction
  2. Susan Manning, Janice Ross , and Rebecca Schneider
  3. pp. 3-14
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  1. Archives
  1. Kinesthetic Seeing: A Model for Practice-in-Research
  2. Hannah Kosstrin
  3. pp. 19-35
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  1. King David in the Medieval Archives: Toward an Archaic Future for Dance Studies
  2. Kathryn Dickason
  3. pp. 36-55
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  1. Dancing Dahomey at the World’s Fair: Revising the Archive of African Dance
  2. Joanna Dee Das
  3. pp. 56-73
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  1. Critical Memory: Arthur Mitchell, Dance Theatre of Harlem, and the Rise of the Invisible Dancers
  2. Gillian Lipton
  3. pp. 74-93
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  1. Breathing Matters: Breath as Dance Knowledge
  2. Laura Karreman
  3. pp. 94-112
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  1. Desires
  1. Lesbian Echoes in Activism and Writing: Jill Johnston’s Interventions
  2. Clare Croft
  3. pp. 117-134
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  1. Accent, Choreomusicality, and Identity in Rodeo and 'Rōdē,ō
  2. Daniel Callahan
  3. pp. 135-153
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  1. Flesh Dance: Black Women from Behind
  2. Jasmine Elizabeth Johnson
  3. pp. 154-169
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  1. Winin’ through the Violence: Performing Carib[being]ness at the Brooklyn Carnival
  2. Adanna Kai Jones
  3. pp. 170-186
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  1. Sites
  1. Second Line Choreographies in and beyond New Orleans
  2. Rachel Carrico
  3. pp. 191-208
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  1. The Dance in the Museum: Grant Hyde Code and the Brooklyn Museum Dance Center
  2. Amanda Jane Graham
  3. pp. 209-225
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  1. Dancing the Image: Virgilio Sieni’s Choreographic Tableaux
  2. Giulia Vittori
  3. pp. 226-244
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  1. Sidewalk Choreographies: The Politics of Moving Along in Battery Opera’s Lives Were Around Me
  2. Alana Gerecke
  3. pp. 245-264
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  1. Politics
  1. Convening Muses and Turning Tables: Reimagining a Danced Politics of Time in Jordan Bennett and Marc Lescarbot
  2. VK Preston
  3. pp. 269-285
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  1. Les Ballets Jazz and White Mythologies of Blackness in Québec
  2. Melissa Templeton
  3. pp. 286-302
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  1. Cuban Modern Dance after Censorship: A Colorful Gray, 1971–74
  2. Elizabeth Schwall
  3. pp. 303-320
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  1. Tango and Memory on the Contemporary Dance Stage
  2. Victoria Fortuna
  3. pp. 321-338
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  1. Economics
  1. Breaking Point? Flexibility, Pain, and the Calculus of Risk in Neoliberal Multiculturalism
  2. Anusha Kedhar
  3. pp. 343-359
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  1. Who Makes a Dance? Studying Infrastructure through a Dance Lens
  2. Sarah Wilbur
  3. pp. 360-379
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  1. The Choreographic Commodity: Assigning and Policing Value for Nite Moves and William Forsythe
  2. Lizzie Leopold
  3. pp. 380-396
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  1. Walking Backward: Choreographing the Greek Crisis
  2. Natalie Zervou
  3. pp. 397-412
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  1. Virtuositie
  1. Dance of the Undead: The Wilis’ Imperial Legacy
  2. Rebecca Chaleff
  3. pp. 415-430
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  1. Disavowing Virtuosity, Performing Aspiration: Choreographies of Anticlimax in the Work of Yve Laris Cohen, Narcissister, and John Jasperse
  2. Ariel Osterweis
  3. pp. 431-448
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  1. Circulations
  1. Do Iranian Dancers Need Saving? Savior Spectatorship and the Production of Iranian Dancing Bodies as “Objects of Rescue”
  2. Heather Rastovac-Akbarzadeh
  3. pp. 453-470
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  1. Costuming Brownnesses in British South Asian Dance
  2. Royona Mitra
  3. pp. 471-488
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  1. Intimating Race: Tao Ye’s 4 and Methods for World Dance
  2. Hentyle Yapp
  3. pp. 489-504
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  1. Locating Performance: Choe Seung-hui’s East Asian Modernism and the Case for Area Knowledge in Dance Studies
  2. Emily E. Wilcox
  3. pp. 505-522
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  1. Toward a Critical Globalized Humanities: Dance Research in Mexico City at the CENIDID
  2. Jose L. Reynoso
  3. pp. 523-540
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  1. Contributors
  2. pp. 541-548
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  1. Index
  2. pp. 549-574
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