In this Book

summary
Originally published in 1965. Despite his prolificacy, Washington Irving remained an underexamined figure among literary scholars at the time William L. Hedges published his definitive study of the author in 1965. Most contemporary scholars believed that Irving's central contribution to the American literary tradition was that his work was "polished" and "suave." These scholars maintained that Irving's aristocratic sensibilities defined the stylistic choices of his literary works. To assume this, Hedges contends, is to "both let the man and the work slip beyond one's grasp." Hedges demonstrates that much of Irving's work can be understood in the context of his conflict between federalist and conservative politics. Irving, in other words, found himself incapable of committing to a coherent set of beliefs or attitudes, and this cultural uneasiness manifested itself in his early work. Washington Irving: An American Study, 1802-1832 tries to correct some of the misapprehension about Irving's place in nineteenth-century American literature.

Table of Contents

Cover

New Copyright

Half Title

pp. i

Title Page

pp. iii

Copyright

pp. iv

Dedication

pp. v

Preface

pp. vii-xi

Contents

pp. xiii

Abbreviations

pp. xiv

Introduction

pp. 1-16

I. The Provincial Quest for Style

pp. 17-43

II. Logocracy in America

pp. 44-64

III. The Fiction of History

pp. 65-85

IV. The Lintels of the Door-Post: Reflections on an Indigenous Literature

pp. 86-106

V. The Romantic Transition

pp. 107-127

VI. The Alienated Observer

pp. 128-163

VII. The Ancestral Mansion and the Haunted House

pp. 164-190

VIII. The Way the Story Is Told

pp. 191-235

IX. The Unreal World of Washington Irving

pp. 236-267

Index

pp. 268-274
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