In this Book

summary
In March 1980 Francis Coppola purchased the dilapidated Hollywood General Studios facility with the hope and dream of creating a radically new kind of studio, one that would revolutionize filmmaking, challenge the established studio machinery, and, most importantly, allow him to make movies as he wished. With this event at the center of Whom God Wishes to Destroy, Jon Lewis offers a behind-the-scenes view of Coppola’s struggle—that of the industry’s best-known auteur—against the changing realities of the New Hollywood of the 1980s. Presenting a Hollywood history steeped in the trade news, rumor, and gossip that propel the industry, Lewis unfolds a lesson about power, ownership, and the role of the auteur in the American cinema. From before the success of The Godfather to the eventual triumph of Apocalypse Now, through the critical upheaval of the 1980s with movies like Rumble Fish, Hammett, Peggy Sue Got Married, to the 1990s and the making of Bram Stoker’s Dracula and Kenneth Branagh’s Frankenstein, Francis Coppola’s career becomes the lens through which Lewis examines the nature of making movies and doing business in Hollywood today.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-4
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  1. 1. Hollywood General
  2. pp. 5-20
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  1. 2. The New Hollywood
  2. pp. 21-40
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  1. 3. One from the Heart
  2. pp. 41-72
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  1. 4. The Zoetrope Legacy
  2. pp. 73-94
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  1. 5. Exile in Oklahoma: The Outsiders and Rumble Fish
  2. pp. 95-110
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  1. 6. The Cotton Club
  2. pp. 111-142
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  1. 7. Francis Coppola and the New New Hollywood
  2. pp. 143-164
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  1. Notes
  2. pp. 165-184
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  1. Index
  2. pp. 185-195
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Additional Information

ISBN
9780822398981
Related ISBN
9780822316022
MARC Record
OCLC
1142873876
Pages
205
Launched on MUSE
2020-03-06
Language
English
Open Access
No
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