In this Book

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“These essays exemplify all the virtues of interdisciplinarity in consideration of that most multidisciplined of writers, Charlotte Perkins Gilman. The contributors simultaneously clarify and complicate our understanding of some of the more vexed areas of Gilman's work by engaging saliently with her theories of ethnicity, class, prostitution, and the dynamics of gender; posing difficult questions to contemporary feminist scholars; and providing sensitive and insightful guidance to a well-chosen and wide range of texts.”—Janet Beer, author of Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction

Table of Contents

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  1. Cover
  2. pp. Cover -ii
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  1. Title Page, Copyright
  2. pp. iii-iv
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction
  2. pp. ix-xx
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  1. Gilman and Feminism
  2. pp. 1-2
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  1. Charlotte Perkins Gilman and the Rights of Women Her Legacy for the 1990s
  2. pp. 4-15
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  1. The Intellectualism of Charlotte Perkins Gilman Evolutionary Perspectives on Race,Ethnicity, and Class
  2. pp. 16-41
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  1. Women, Work, and the Home
  2. pp. 42-44
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  1. ‘‘What a Comfort a Woman Doctor Is!’’ Medical Women in the Life and Writing of Charlotte Perkins Gilman
  2. pp. 45-94
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  1. Charlotte Perkins Gilman’s Three Women Work, Marriage, and the Old(er) Woman
  2. pp. 74-92
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  1. Home Is Where the Heart Is – Or Is It? Three Women and Charlotte Perkins Gilman’s Theory of the Home
  2. pp. 93-110
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  1. Kitchenless Houses and Homes Charlotte Perkins Gilman and the Reform of Architectural Space
  2. pp. 111-126
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  1. Charlotte Perkins Gilman and Educational Reform
  2. pp. 127-147
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  1. Motherhood and Reproduction
  2. pp. 148-150
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  1. Consumption, Production, and Reproduction in the Work of Charlotte Perkins Gilman
  2. pp. 151-172
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  1. Reconfiguring Vice Charlotte Perkins Gilman, Prostitution, and Frontier Sexual Contracts
  2. pp. 173-199
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  1. ‘‘Fecundate! Discriminate!’’Charlotte Perkins Gilman and the Theologizing of Maternity
  2. pp. 200-216
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  1. Public and Private Faces
  2. pp. 217-218
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  1. Hair Today, Shorn Tomorrow? Hair Symbolism, Gender, and the Agency of Self
  2. pp. 219-242
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  1. ‘‘Written to Drive Nails With’’Recalling the Early Poetry of Charlotte Perkins Gilman
  2. pp. 243-266
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  1. ‘‘But O My Heart’’The Private Poetry of Charlotte Perkins Gilman
  2. pp. 267-284
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  1. Notes On Contributors
  2. pp. 285-288
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  1. Bibliography
  2. pp. 289-306
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  1. Index
  2. pp. 307-310
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