In this Book

Interpreting Greek Tragedy: Myth, Poetry, Text

Book
Charles Segal
2019
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This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.

This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.

Table of Contents

Cover

Half Title Page, Title Page

pp. 1,3

Also by Charles Segal

pp. 2

Copyright

pp. 4

Dedication

pp. 5-6

Contents

pp. 7-8

Preface

pp. 9-12

Acknowledgments

pp. 13-14

Abbreviations

pp. 15-18

I GREEK TRAGEDY: MYTH AND STRUCTURE

pp. 19-20

1. Greek Tragedy and Society: A Structuralist Perspective

pp. 21-47

2. Greek Myth as a Semiotic and Structural System and the Problem of Tragedy

pp. 48-74

3. Greek Tragedy: Writing, Truth, and the Representation of the Self

pp. 75-110

II SOPHOCLES

pp. 111-112

4. Visual Symbolism and Visual Effects in Sophocles

pp. 113-136

5. Sophocles’ Praise of Man and the Conflicts of the Antigone

pp. 137-162

III EURIPIDES

pp. 163-164

6. The Tragedy of the Hippolytus: The Waters of Ocean and the Untouched Meadow

pp. 165-221

7. The Two Worlds of Euripides’ Helen

pp. 222-267

8. Pentheus and Hippolytus on the Couch and on the Grid: Psychoanalytic and Structuralist Readings of Greek Tragedy

pp. 268-293

9. Euripides’ Bacchae: The Language of the Self and the Language of the Mysteries

pp. 294-312

IV TRANSFORMATIONS

pp. 313-314

10. Boundary Violation and the Landscape of the Self in Senecan Tragedy

pp. 315-336

11. Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays

pp. 337-358

12. Literature and Interpretation: Conventions, History, and Universals

pp. 359-376

Index

pp. 377-384
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