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In Words about Words about Words, Murray Krieger advances his ongoing dialogue with the rich diversity of contemporary literary theory and elaborates on his own position as it grows out of an opposing relation to much of current criticism. Krieger examines the kinds of ideologies and ontologies smuggled into literary theory that purports to be anti-ideological and anti-ontological. He explores the extent to which critical fashions dictate the development of theory and the reasons why particular theories exclude certain kinds of literary works in favor of others. Under such circumstances, Krieger asks, What becomes of the critic's task of evaluation? Further, what is the relation of the idea of progress to criticism and the arts, and what is the effect of these notions on cultural and intellectual institutions? He seeks an alternative to the deterministic tendencies of the new historicism in viewing the relations of literature and literary criticism to society. Progressing from broad questions to more focused critical problems and close readings, Krieger reviews the aesthetic tradition as it has evolved from Kant. He engages in debate with deconstructionist critics about the role of symbol and allegory as descriptions of ways in which poems succeed or fail in constructing their verbal universe. And he argues that, for all its brilliance, deconstruction has not yet been able to fulfill the social or academic functions of the older, aesthetic-based disciplines that it set out to deconstruct.

Table of Contents

  1. Cover
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  1. New Copyright
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  1. Half Title
  2. p. i
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  1. By the same author
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. Dedication
  2. p. v
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xii
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  1. I. Theory and Institutions: Critical Movements and Academic Structures
  1. 1. Words about Words about Words: Theory, Criticism, and the Literary Text
  2. pp. 3-19
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  1. 2. The Arts and the Idea of Progress
  2. pp. 20-42
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  1. 3. From Theory to Thematics: The Ideological Underside of Recent Theory
  2. pp. 43-63
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  1. 4. Literary Invention, Critical Fashion, and the Impulse to Theoretical Change: “Or Whether Revolution Be the Same”
  2. pp. 64-89
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  1. 5. A Meditation on a Critical Theory Institute
  2. pp. 90-104
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  1. II. Critical Positions: Self-definition and Other Definitions
  1. 6. An Apology for Poetics
  2. pp. 107-119
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  1. 7. A Colloquy on “An Apology for Poetics”
  2. pp. 120-152
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  1. 8. The Literary Privilege of Evaluation
  2. pp. 153-171
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  1. 9. An E. H. Gombrich Retrospective: The Ambiguities of Representation and Illusion
  2. pp. 172-192
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  1. 10. “Both Sides Now”
  2. pp. 193-203
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  1. III. Reconsideration of Special Texts for Special Reasons
  1. 11. Presentation and Representation in the Renaissance Lyric: The Net of Words and the Escape of the Gods
  2. pp. 207-225
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  1. 12. A Humanity in the Humanities: Literature among the Discourses
  2. pp. 226-241
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  1. 13. The Conversion from History to Utopia in Shakespeare’s Sonnets
  2. pp. 242-255
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  1. 14. Orpheus mit Glück: The Deceiving Gratific(a)tions of Presence
  2. pp. 256-270
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  1. 15. “A Waking Dream”: The Symbolic Alternative to Allegory
  2. pp. 271-288
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  1. Index
  2. pp. 289-292
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Additional Information

ISBN
9781421430225
Related ISBN
9781421431253
MARC Record
OCLC
1122727835
Launched on MUSE
2019-10-10
Language
English
Open Access
Yes
Funder
Mellon/NEH / Hopkins Open Publishing: Encore Editions
Creative Commons
CC-BY-NC-ND
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