In this Book

summary
Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge of or interest in allegory have led to misinterpretations of Dante's poem. None of the dozens of commentaries on the Comedy published in the first half of the twentieth century was concerned with allegory more than sporadically, says Singleton, and so these treatments directed readers' attention to the merest disjecta membra of that continuous dimension of the poem. From Singleton's perspective, the allegory of the Comedy is an imitation of Biblical allegory, which was acknowledged by thinkers in the Middle Ages but not by intellectuals during and following the Renaissance. Singleton attempts to restore the allegorical elements to the foreground of interpreting the Comedy.

Table of Contents

Cover

New Copyright

Half Title

pp. i

Title Page

pp. iii

Copyright

pp. iv

Preface

pp. v-vi

Contents

pp. vii

PART One. Journey to Beatrice

I. The Allegorical Journey

pp. 3-14

II. The Three Lights

pp. 15-38

III. The Three Conversions

pp. 39-56

IV. Justification

pp. 57-71

V. Advent of Beatrice

pp. 72-85

VI. Justification in History

pp. 86-100

VII. The Goal at the Summit

pp. 101-121

VIII. Lady Philosophy or Wisdom

pp. 122-138

PART Two. Return to Eden

IX. A Lament for Eden

pp. 141-158

X. Rivers, Nymphs, and Stars

pp. 159-183

XI. Virgo or Justice

pp. 184-203

XII. Matelda

pp. 204-221

XIII. Natural Justice

pp. 222-253

XIV. Crossing Over into Eden

pp. 254-287

Reference List

pp. 289-291
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