In this Book

summary
Monsman undertakes a comprehensive critical analysis of Walter Pater's fiction, which presents the critic with numerous causes of frustration, not the least of which is a lack of both dramatic narration and description. Pater is rarely vivid and firsthand in his fiction; he tends instead toward exposition. Monsman's emphasis in Pater's Portraits is "tracing out" the conscious artistic structure of Pater's fiction. The scope of Pater's writings comprises nothing less than Western culture itself; its subject is all that man has written, thought, said, sung, hoped, or prayed as a civilized creature over two and one-half millennia. Pater's success in handling such panoply is attributable to his discovery of a coherent pattern by which art, religion, and life can be organized. Monsman aims to discover in Pater's fiction the use of old scientific-religious patterns of myth to explain moments of religious and cultural awakening, to reveal the way in which one man arrived at a credo that would answer to the desolation of life and culture.

Table of Contents

  1. Cover
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  1. New Copyright
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  1. Half Title
  2. p. i
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  1. Epigraph
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. Dedication
  2. p. v
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  1. Preface
  2. G.C.M.
  3. p. vii
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  1. Contents
  2. p. ix
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  1. Introduction
  2. pp. xi-xvi
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  1. Half Title 1
  2. p. 1
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  1. I. Art and the Gods of Art
  2. pp. 3-29
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  1. II. Portraiture and the Early Portraits
  2. pp. 31-63
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  1. III. Marius the Epicurean (1885)
  2. pp. 65-97
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  1. IV. The Collected Imaginary Portraits
  2. pp. 99-138
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  1. V. Gaston de Latour (1888) and Religious Belief
  2. pp. 139-161
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  1. VI. The Uncollected Imaginary Portraits
  2. pp. 163-200
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  1. VII. Myth and Metaphor
  2. pp. 201-216
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  1. Index
  2. pp. 217-225
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Additional Information

ISBN
9781421432519
Related ISBN
9781421432502
MARC Record
OCLC
1122198374
Launched on MUSE
2019-10-07
Language
English
Open Access
Yes
Funder
Mellon/NEH / Hopkins Open Publishing: Encore Editions
Creative Commons
CC-BY-NC-ND
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