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In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.

Table of Contents

  1. Cover Page
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  1. Copyright Page
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  1. Halftitle
  2. p. i
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  1. By the same Author
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. Dedication
  2. p. v
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  1. Contents
  2. pp. vi-ix
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  1. Preface
  2. pp. xi-xvi
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  1. Part One: Contexts
  2. p. 1
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  1. Chapter I: Prosody and Purpose
  2. pp. 3-22
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  1. Chapter II: Ars Metrica
  2. pp. 23-42
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  1. Chapter III: Rude and Beggerly Ryming: The Romance Tradition
  2. pp. 43-70
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  1. Chapter IV: A Question of Language: Italy and the Shaping of Renaissance Prosodic Theory
  2. pp. 71-91
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  1. Chapter V: Notes of Instruction
  2. pp. 92-124
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  1. Part Two: Performances
  2. p. 125
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  1. Chapter VI: A Straunge Metre Worthy To Be Embraced
  2. pp. 127-147
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  1. Chapter VII: Jasper Heywood’s Fourteeners
  2. pp. 148-170
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  1. Chapter VIII: Gorboduc and Dramatic Blank Verse, with a Note on Comedy
  2. pp. 171-195
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  1. Chapter IX: Heroic Experiments
  2. pp. 196-225
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  1. Chapter X: Speech and Verse in Later Elizabethan Drama
  2. pp. 226-257
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  1. Chapter XI: True Musical Delight
  2. pp. 258-276
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  1. Notes
  2. pp. 277-328
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  1. Index
  2. pp. 329-342
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Additional Information

ISBN
9781421430508
Related ISBN
9781421430881
MARC Record
OCLC
1117490246
Launched on MUSE
2019-09-12
Language
English
Open Access
Yes
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