In this Book

buy this book Buy This Book in Print
summary
Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his ability to expose the reader to truth while simultaneously protecting him from it or, in other words, to enable the reader to experience reality indirectly and, therefore, safely. In Melville's own writing, however, this function became more difficult as his nihilism deepened. He became increasingly sensitive to his own involvement in the world of lies, and when he could no longer protect himself from the truth, he could no longer transform it into fiction. Melville's struggle to maintain the distinction between art and truth was reflected in the changing forms of his novels. Dryden traces Melville's evolving metaphysical views and studies their impact on the craftsmanship of this acutely self-conscious artist from his early novels—Typee, Redburn, and White Jacket—through Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to the posthumously published Billy Budd and the closely related Benito Cereno, and he concludes that "all of Melville's narrators are in some way portraits of the artist at work." Dryden's study is a unique contribution to Melville scholarship and an important journey through the world of the novelist's vision. As such, it has significant implications for the novel as a genre and for understanding its development in America.

Table of Contents

  1. Cover Page
  2. open access View |
  1. Copyright Page
  2. open access View |
  1. Halftitle
  2. p. i
  3. open access View |
  1. Title Page
  2. p. iii
  3. open access View |
  1. Copyright
  2. p. iv
  3. open access View |
  1. Dedication
  2. p. v
  3. open access View |
  1. Preface
  2. pp. vii-viii
  3. open access View |
  1. Acknowledgments
  2. p. ix
  3. open access View |
  1. Contents
  2. p. xi
  3. open access View |
  1. A Note on Texts
  2. pp. xiii-xiv
  3. open access View |
  1. I. Metaphysics and the Art of the Novel
  2. pp. 1-29
  3. open access View |
  1. II. Portraits of the Artist as a Young Man: Narrative Form in Melville’s Early Novels
  2. pp. 31-79
  3. open access View |
  1. III. Ishmael as Teller: Self-Conscious Form in Moby-Dick
  2. pp. 81-113
  3. open access View |
  1. IV. The Failure of the Author-Hero: Narrative Form in Pierre and Israel Potter
  2. pp. 115-148
  3. open access View |
  1. V. The Novelist as Impostor: Subversive Form in The Confidence-Man
  2. pp. 149-195
  3. open access View |
  1. Epilogue
  2. pp. 197-216
  3. open access View |
  1. Index
  2. pp. 217-226
  3. open access View |

Additional Information

ISBN
9781421429991
Related ISBN
9781421430805
MARC Record
OCLC
1117490568
Launched on MUSE
2019-09-12
Language
English
Open Access
Yes
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.