In this Book

summary
A comprehensive examination of the origins of Vancouver photo-conceptualism. The book employs discourse analysis, feminist critique and settler-colonial theory to analyse the landscapes of Jeff Wall, Ian Wallace, Marian Penner Bancroft, Liz Magor and others.

Table of Contents

  1. Cover
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  1. Series, Title, Copyright
  2. pp. i-iv
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  1. Contents
  2. p. v
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  1. Figures
  2. pp. vii-ix
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  1. Acknowledgements
  2. pp. x-xi
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  1. Introduction
  2. pp. 1-21
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  1. 1 Jeff Wall’s Picture for Women (1979) and The Destroyed Room (1978): colonizing the space of gendered discourse
  2. pp. 22-48
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  1. 2 Emily Carr and the legacy of Commonwealth modernism
  2. pp. 49-85
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  1. 3 Myth and the ‘home culture concept’
  2. pp. 86-113
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  1. 4 Establishing the theory and practice of a defeatured landscape
  2. pp. 114-162
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  1. 5 The 1970s and the gendered spaces of the counter tradition
  2. pp. 163-191
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  1. 6 Feminist theoretical and visual challenges to modernist representation
  2. pp. 192-227
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  1. Conclusion
  2. pp. 228-248
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  1. Select bibliography
  2. pp. 249-260
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  1. Index
  2. pp. 261-279
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Additional Information

ISBN
9781526126733
MARC Record
OCLC
1030666330
Pages
304
Launched on MUSE
2020-01-01
Language
English
Open Access
No
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