In this Book

Composing the Party Line: Music and Politics in Early Cold War Poland and East Germany

Book
by David G. Tompkins
2013
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summary
Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s.

Table of Contents

Cover

Title, Copyright

pp. i-iv

Contents

pp. v-vi

Foreword

pp. vii-viii

Acknowledgments

pp. ix-x

Abbreviations

pp. xi-xii

Introduction

pp. 1-14

1 The Rise and Decline of Socialist Realism in Music

pp. 15-94

2 The Composers’ Unions between Party Aims and Professional Autonomy

pp. 95-130

3 The Struggle over Commissions

pp. 131-166

4 The Music Festival as Pedagogical Experience

pp. 167-196

5 The Concert Landscape

pp. 197-246

Conclusion

pp. 247-252

Bibliography

pp. 253-286

Index

pp. 287-300
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