In this Book
Composing the Party Line: Music and Politics in Early Cold War Poland and East Germany
Book
2013
Published by:
Purdue University Press
Series:
Central European Studies
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
summary
Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s.
Table of Contents
Cover
Title, Copyright
pp. i-iv
Contents
pp. v-vi
Foreword
pp. vii-viii
Acknowledgments
pp. ix-x
Abbreviations
pp. xi-xii
Introduction
pp. 1-14
1 The Rise and Decline of Socialist Realism in Music
pp. 15-94
2 The Composersâ Unions between Party Aims and Professional Autonomy
pp. 95-130
3 The Struggle over Commissions
pp. 131-166
4 The Music Festival as Pedagogical Experience
pp. 167-196
5 The Concert Landscape
pp. 197-246
Conclusion
pp. 247-252
Bibliography
pp. 253-286
Index
pp. 287-300
| ISBN | 9781612492902 |
|---|---|
| Related ISBN(s) | 9781557536471, 9781557537027, 9781612492896 |
| MARC Record | Download |
| OCLC | 1111384832 |
| Pages | 312 |
| Launched on MUSE | 2019-08-21 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC |



