In this Book

Gothic incest: Gender, sexuality and transgression

Book
Jenny DiPlacidi
2018
summary
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.

Table of Contents

Cover

Title, Copyright

pp. i-iv

Contents

pp. v-vi

Acknowledgements

pp. vii-viii

Introduction: disrupting the critical genealogy of the Gothic

pp. 1-33

1 ‘Unimaginable sensations’: father–daughter incest and the economics of exchange

pp. 34-84

2 ‘My more than sister’: re-examining paradigms of sibling incest

pp. 85-138

3 Uncles and nieces: thefts, violence and sexual threats

pp. 139-189

4 More than just kissing: cousins and the changing status of family

pp. 190-245

5 Queer mothers: female sexual agency and male victims

pp. 246-276

Coda: incest and beyond

pp. 277-282

Bibliography

pp. 283-299

Index

pp. 300-304
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