In this Book

summary
Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities—including literary studies, aesthetics, film studies, and the philosophy of art—have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.

Table of Contents

  1. Cover
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  1. Half-Title Page, Title Page, Copyright
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  1. Contents
  2. pp. 5-6
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  1. Introduction: Voices near and far
  2. pp. 7-18
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  1. Creative work and communicative norms: Perspectives from Legal Philosophy
  2. pp. 19-44
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  1. Romantic authorship in copyright law and the uses of aesthetics
  2. pp. 45-94
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  1. Creativity, autonomy and personal touch: A critical appraisal of the CJEU's originality test for copyright
  2. pp. 95-144
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  1. Adapting the work
  2. pp. 145-174
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  1. Reassessing the challenge of the digital: An empirical perspective on authorship and copyright
  2. pp. 175-236
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  1. Discontinuities between legal conceptions of authorship and social practices: What, if anything, is to be done?
  2. pp. 237-276
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  1. About the authors
  2. pp. 277-278
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Additional Information

ISBN
9789048523009
Related ISBN
9789089646354
MARC Record
OCLC
1178720988
Pages
234
Launched on MUSE
2020-07-28
Language
English
Open Access
Yes
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