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summary
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. 7-8
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  1. Acknowledgements
  2. pp. 9-10
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  1. Introduction
  2. pp. 11-28
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  1. Part I. Collections
  2. pp. 29-34
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  1. 1. Private Collectors
  2. pp. 35-44
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  1. 2. Blind Choices: Parameters and Repetitions
  2. pp. 45-58
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  1. 3. Eyes Wide Open: Duplicates
  2. pp. 59-72
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  1. Part II. Preservations
  2. pp. 73-78
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  1. 4. Passive Preservation: An Historical Overview
  2. pp. 79-94
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  1. 5. Impressions: Restoration of the Film Image
  2. pp. 95-108
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  1. 6. Reconstructions
  2. pp. 109-124
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  1. Part III. Presentations
  2. pp. 125-130
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  1. 7. Film Museum Exhibition Spaces
  2. pp. 131-150
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  1. 8. Framing Programmes
  2. pp. 151-178
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  1. 9. Performances
  2. pp. 179-194
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  1. Coda: Past Futures, Future Pasts
  2. pp. 195-208
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  1. Notes
  2. pp. 209-244
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  1. Bibliography
  2. pp. 245-260
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  1. Index
  2. pp. 261-270
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Additional Information

ISBN
9789048526741
Related ISBN
9789089648266
MARC Record
OCLC
1163587749
Pages
245
Launched on MUSE
2020-07-07
Language
English
Open Access
Yes
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