In this Book
summary
Whether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theatre and the home, but also in the art gallery and the museum. The author of this engaging study takes stock of this development, offering an in-depth inquiry into its genesis, its defining features, and the ramifications it has for art and cinema alike. Through the lens of contemporary art history, she examines cinema studies’ great disciplinary obsession – namely, what cinema was, is, and will become in a digital future.
Table of Contents
Cover
Title Page, Copyright
pp. i-iv
Contents
pp. v-vi
Acknowledgements
pp. 7-8
Introduction: The Othered Cinema
pp. 9-26
1. Architectures of Exhibition
pp. 27-64
2. Filmic Ruins
pp. 65-106
3. The Remake: Old Movies, New Narratives
pp. 107-148
4. The Fiction of Truth and the Truth of Fiction
pp. 149-184
Conclusion: "Cinema and..."
pp. 185-190
Notes
pp. 191-226
Bibliography
pp. 227-240
Illustration Credits
pp. 241-244
Index
pp. 245-260
| ISBN | 9789048517763 |
|---|---|
| Related ISBN(s) | 9789089644718 |
| MARC Record | Download |
| OCLC | 1178720770 |
| Pages | 260 |
| Launched on MUSE | 2020-07-28 |
| Language | English |
| Open Access | Yes |
Copyright
2013


