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Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film’s great directors. Sirk worked in Europe during the 1930s, mainly for Germany’s UFA studios, and then in America in the 1940s and ’50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk’s work on musicals, comedies, thrillers, war movies, and westerns.

One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters’ problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision.

Offering fresh insights into all of the director’s films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk’s films, as well as providing a critical survey of previous Sirk commentary, from the time of the director’s “rediscovery” in the late 1960s up to the present day.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-2
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  1. Introduction
  2. pp. 3-16
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  1. Chapter One. Detlef Sierck in Europe
  2. pp. 17-57
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  1. Chapter Two. American Beginnings: The European Legacy
  2. pp. 58-81
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  1. Chapter Three. In the Shadows: Sirk and the Noir Inclination
  2. pp. 82-97
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  1. Chapter Four. The Uncomfortable Comedies
  2. pp. 98-112
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  1. Chapter Five. Sirk and God: “The Pure Ambiguity of Experience”
  2. pp. 113-128
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  1. Chapter Six. Pastoral Yearnings: Sirk and the Musical
  2. pp. 129-142
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  1. Chapter Seven. Hollywood, Rock Hudson, and the Idea of the Hero
  2. pp. 143-157
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  1. Chapter Eight. Sirk, the Family Melodrama, and the Production Code
  2. pp. 158-192
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  1. Chapter Nine. Sirk and John M. Stahl: Adaptations and Remakes
  2. pp. 193-230
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  1. Chapter Ten. Out of the Past
  2. pp. 231-250
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  1. Chapter Eleven. Into the Future: Sirk’s Legacy
  2. pp. 251-256
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  1. Filmography
  2. pp. 257-265
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  1. Notes
  2. pp. 266-290
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  1. Bibliography
  2. pp. 291-297
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Additional Information

ISBN
9781496822406
Related ISBN
9781496817983
MARC Record
OCLC
1074420183
Pages
320
Launched on MUSE
2019-05-12
Language
English
Open Access
No
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