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Flamenco Nation: The Construction of Spanish National Identity

Book
Sandie Holguín
2019
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summary
How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries.

Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.

Table of Contents

Cover

Title Page, Copyright

pp. i-iv

Contents

pp. v-vi

Illustrations

pp. vii-x

Acknowledgments

pp. xi-xviii

Introduction

pp. 3-24

PART I: Setting the Stage

Inventing an Ancient Past for a Modern Form, 1789–1875

pp. 27-57

The Perils of Flamenco in Restoration Spain, 1875–1923

pp. 58-92

PART II. Flamenco on the Regional and International Stage

Flamenco and Catalan Nationalism in Barcelona, 1900–1936

pp. 97-121

The Marriage of Flamenco, Politics, and National Liberation, 1914–1936

pp. 122-143

Spain on Display Abroad and at Home, 1867–1922

pp. 144-172

PART III. Flamenco and the Franco Regime

Rebuilding the Fractured Nation,1939–1953

pp. 177-203

Tourism and the Return of Flamenco, 1953–1975

pp. 204-240

Coda

pp. 241-258

Glossary

pp. 259-262

Notes

pp. 263-324

Bibliography

pp. 325-350

Index

pp. 351-362
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