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How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries.

Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Illustrations
  2. pp. vii-x
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  1. Acknowledgments
  2. pp. xi-xviii
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  1. Introduction
  2. pp. 3-24
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  1. PART I: Setting the Stage
  1. Inventing an Ancient Past for a Modern Form, 1789–1875
  2. pp. 27-57
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  1. The Perils of Flamenco in Restoration Spain, 1875–1923
  2. pp. 58-92
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  1. PART II. Flamenco on the Regional and International Stage
  1. Flamenco and Catalan Nationalism in Barcelona, 1900–1936
  2. pp. 97-121
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  1. The Marriage of Flamenco, Politics, and National Liberation, 1914–1936
  2. pp. 122-143
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  1. Spain on Display Abroad and at Home, 1867–1922
  2. pp. 144-172
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  1. PART III. Flamenco and the Franco Regime
  1. Rebuilding the Fractured Nation,1939–1953
  2. pp. 177-203
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  1. Tourism and the Return of Flamenco, 1953–1975
  2. pp. 204-240
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  1. Coda
  2. pp. 241-258
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  1. Glossary
  2. pp. 259-262
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  1. Notes
  2. pp. 263-324
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  1. Bibliography
  2. pp. 325-350
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  1. Index
  2. pp. 351-362
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