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Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres. "This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century." ---John Kucich, Professor of English, Rutgers University "Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded." ---Jonathan Freedman, Professor of English and American Culture, University of Michigan Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis. digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

Table of Contents

  1. CONTENTS
  2. p. ix
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  1. List of Illustrations
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-22
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  1. PART ONE: DETECTIVE SERIES
  2. pp. 23-24
  1. ONE: Private and Public Eyes - Sherlock Holmes and the Invisible Woman
  2. pp. 25-69
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  1. TWO: Beautiful For Ever! - Cosmetics, Consumerism, L. T. Meade, and Madame Rachel
  2. pp. 70-100
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  1. PART TWO: CRIME FILM
  2. pp. 101-102
  1. THREE: The Limits of the Gaze - Class, Gender, and Authority in Early British Cinema
  2. pp. 103-146
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  1. PART THREE: DYNAMITE NARRATIVE
  2. pp. 147-148
  1. FOUR: Dynamite, Interrupted - Gender in James’s and Conrad’s Novels of Failed Terror
  2. pp. 149-185
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  1. FIVE: “An Invitation to Dynamite” - Female Revolutionaries in Late-Victorian Dynamite Narrative
  2. pp. 186-222
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  1. Afterword
  2. pp. 223-226
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  1. Notes
  2. pp. 227-252
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  1. Films Cited
  2. pp. 253-254
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  1. Works Cited
  2. pp. 255-272
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  1. Index
  2. pp. 273-284
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Additional Information

ISBN
9780472024469
Related ISBN
9780472050444
MARC Record
OCLC
436155908
Pages
295
Launched on MUSE
2012-01-01
Language
English
Open Access
Yes
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