In this Book
World Beats
Book
2016
Published by:
Dartmouth College Press
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
summary
This fascinating book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best naïve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature.
Table of Contents
Cover
Half Title, Series Page, Title Page, Copyright, Dedication, Epigraph
Contents
pp. ix-x
Introduction: Worlding the Beats
pp. 1-30
1. A World, a Sweet Attention: Jack Kerouacâs Subterranean Itineraries
pp. 31-63
2. The Beat Manifesto: Avant-Garde Poetics, Black Power, and the Worlded Circuits of African American Beat Writing
pp. 64-94
3. A Multilayered Inspiration: Philip Lamantia, Beat Poet
pp. 95-127
4. Cut-Ups and Composite Cities: The Latin American Origins of Naked Lunch
pp. 128-161
5. For Africa . . . for the World: Brion Gysin and the Postcolonial Beat Novel
pp. 162-191
6. Columbus Avenue Revisited: Maxine Hong Kingston and the Post-Beat Canon
pp. 192-214
Notes
pp. 215-232
Bibliography
pp. 233-246
Credits
pp. 247-248
Index
pp. 249-258
| ISBN | 9781611689297 |
|---|---|
| Related ISBN(s) | 9781611688979 |
| MARC Record | Download |
| OCLC | 1104067004 |
| Pages | 280 |
| Launched on MUSE | 2019-06-24 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC |



