In this Book

The Emergence of Irish Gothic Fiction: Histories, Origins, Theories

Book
2013
summary
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the ‘beginnings’ of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition.

Table of Contents

Cover

pp. 1

Half Title, Title Page, Copyright

pp. 5

Contents

pp. v

Acknowledgements

pp. vi-viii

Introduction Zombieland: From Gothic Ireland to Irish Gothic

pp. 1-33

Chapter 1. Braindead: Locating the Gothic

pp. 34-78

Chapter 2. The Creeping Unknown: Re-Making Meaning in the Gothic Novel

pp. 79-105

Chapter 3. Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent

pp. 106-144

Chapter 4. The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising

pp. 145-169

Chapter 5. Undead: Unmaking Monsters in Longsword

pp. 170-203

Conclusion: Land of the Dead

pp. 204-208

Bibliography

pp. 209-230

Index

pp. 231-240
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