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Surprisingly, glimmerings of ecofeminist theory that would emerge a century later can be detected in women’s poetry of the late Victorian period. In Reconceiving Nature, Patricia Murphy examines the work of six ecofeminist poets—Augusta Webster, Mathilde Blind, Michael Field, Alice Meynell, Constance Naden, and L. S. Bevington—who contested the exploitation of the natural world. Challenging prevalent assumptions that nature is inferior, rightly subordinated, and deservedly manipulated, these poets instead “reconstructed” nature.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vi-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction: Nascent Ecofeminism
  2. pp. 3-34
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  1. Chapter One. Augusta Webster: Interrogating the Nature–Woman Link
  2. pp. 35-64
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  1. Chapter Two. Mathilde Blind: Contesting Domination
  2. pp. 65-96
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  1. Chapter Three. Michael Field: Eroticizing Agency
  2. pp. 97-128
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  1. Chapter Four. Alice Meynell: Unsettling the Nature/Culture Dichotomy
  2. pp. 129-160
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  1. Chapter Five. Constance Naden: Embodying Spirituality, Making Matter Matter
  2. pp. 161-188
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  1. Chapter Six. L. S. Bevington: Seeking a Harmonious Relationship
  2. pp. 189-216
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  1. Notes
  2. pp. 217-236
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  1. Works Cited
  2. pp. 237-252
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  1. Index
  2. pp. 253-258
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