In this Book

Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth-Century Sri Lanka

Book
Garrett Field
2017
summary
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The study of South Asian music falls under the purview of ethnomusicology, whereas that of South Asian literature falls under South Asian studies. As a consequence of this academic separation, scholars rarely take notice of connections between South Asian song and poetry. Modernizing Composition overcomes this disciplinary fragmentation by examining the history of Sinhala-language song and poetry in twentieth-century Sri Lanka. Garrett Field describes how songwriters and poets modernized song and poetry in response to colonial and postcolonial formations. The story of this modernization is significant in that it shifts focus from India’s relationship to the West to little-studied connections between Sri Lanka and North India.

Table of Contents

Cover

Title

Copyright

Dedication

Contents

List of Illustrations

Acknowledgments

pp. ixxi

Note on Translation and Transliteration

pp. xii

Introduction

pp. 1-15

PART ONE: THE COLONIAL ERA

Nationalist Thought and the Sri Lankan World

pp. 19-33

Brothers of the Pure Sinhala Fraternity

pp. 34-55

Wartime Romance

pp. 56-74

PART TWO: THE POSTCOLONIAL ERA

Divergent Standards of Excellence

pp. 77-98

For the People

pp. 99-115

Illusions to Disillusions

pp. 116-135

Conclusion

pp. 136-140

Notes

pp. 141-190

Bibliography

pp. 191-202

Index

pp. 203-213

002

003

004

024

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