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Ongoing interest in the turmoil of the 1960s clearly demonstrates how these social conflicts continue to affect contemporary politics. In The Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements, Kristen Hoerl focuses on fictionalized portrayals of 1960s activism in popular television and film. Hoerl shows how Hollywood has perpetuated politics deploring the detrimental consequences of the 1960s on traditional American values. During the decade, people collectively raised fundamental questions about the limits of democracy under capitalism. But Hollywood has proved dismissive, if not adversarial, to the role of dissent in fostering progressive social change.

Film and television are salient resources of shared understanding for audiences born after the 1960s because movies and television programs are the most accessible visual medium for observing the decade's social movements. Hoerl indicates that a variety of television programs, such as Family Ties, The Wonder Years, and Law and Order, along with Hollywood films, including Forrest Gump, have reinforced images of the "bad sixties." These stories portray a period in which urban riots, antiwar protests, sexual experimentation, drug abuse, and feminism led to national division and moral decay. According to Hoerl, these messages supply distorted civics lessons about what we should value and how we might legitimately participate in our democracy.

These warped messages contribute to "selective amnesia," a term that stresses how popular media renders radical ideas and political projects null or nonexistent. Selective amnesia removes the spectacular events and figures that define the late-1960s from their motives and context, flattening their meaning into reductive stereotypes. Despite popular television and film, Hoerl explains, memory of 1960s activism still offers a potent resource for imagining how we can strive collectively to achieve social justice and equality.

Table of Contents

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  1. Cover
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  1. Half Title, Series Info, Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction: Selective Amnesia in Hollywood’s Imagined Sixties
  2. pp. 3-26
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  1. Chapter One: The Sixties in History and Entertainment Memory
  2. pp. 27-60
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  1. Chapter Two: Growing Up from the Counterculture in Family Ties and The Wonder Years
  2. pp. 61-92
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  1. Chapter Three: Good Citizens, Ambivalent Activists, and Macho Militants in Forrest Gump and The ’60s
  2. pp. 93-122
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  1. Chapter Four: Traumatic Victimhood or Black Rage? Contrasting Visions of Black Power
  2. pp. 123-156
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  1. Chapter Five: The Criminalization of Late Sixties Militancy in Television Police Procedurals
  2. pp. 157-186
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  1. Conclusion: Contestation over Sixties Memory in the New Millennium
  2. pp. 187-198
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  1. Notes
  2. pp. 199-206
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  1. Bibliography
  2. pp. 207-218
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  1. Index
  2. pp. 219-230
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