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The author, after analyzing textual and iconographic descriptions of the medieval Jewish Passover Seder, concludes that Chretien de Troyes's Grail banquet (found in his romance Perceval) portrayed a Sephardic Seder. The author proves by documentary evidence the possibility of Chretien's having been influenced by Sephardic Jewry and structurally reinterprets the Perceval in terms of the Exodus motif.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. 1-6
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  1. ACKNOWLEDGMENTS
  2. Eugene J. Weinraub
  3. pp. 7-8
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  1. TABLE OF CONTENTS
  2. pp. 9-14
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  1. INTRODUCTION
  2. pp. 15-20
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  1. CHAPTER I. THE THEORY OF CHRISTIAN ORIGIN
  2. pp. 21-32
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  1. CHAPTER II. THE THEORY OF CELTIC ORIGIN
  2. pp. 33-49
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  1. CHAPTER III. A NEW JUDAIC INTERPRETATION
  2. pp. 50-87
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  1. CHAPTER IV. THE DEVELOPMENT OF PERCEVAL
  2. pp. 90-103
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  1. CHAPTER V. INTERPRETATION AND CONCLUSIONS
  2. pp. 106-121
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  1. BIBLIOGRAPHY
  2. pp. 118-131
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  1. TABLE OF PLATES
  2. pp. 132-138
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  1. Back Cover
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  1. Image Plates
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