In this Book
The Eve of Spain: Myths of Origins in the History of Christian, Muslim, and Jewish Conflict
Book
2009
Published by:
Johns Hopkins University Press
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
summary
The Eve of Spain demonstrates how the telling and retelling of one of Spain’s founding myths played a central role in the formation of that country’s national identity.
King Roderigo, the last Visigoth king of Spain, rapes (or possibly seduces) La Cava, the daughter of his friend and counselor, Count Julian. In revenge, the count travels to North Africa and conspires with its Berber rulers to send an invading army into Spain. So begins the Muslim conquest and the end of Visigothic rule. A few years later, in Northern Spain, Pelayo initiates a Christian resistance and starts a new line of kings to which the present-day Spanish monarchy traces its roots.
Patricia E. Grieve follows the evolution of this story from the Middle Ages into the modern era, as shifts in religious tolerance and cultural acceptance influenced its retelling. She explains how increasing anti-Semitism came to be woven into the tale during the Christian conquest of the peninsula—in the form of traitorous Jewish conspirators. In the sixteenth century, the tale was linked to the looming threat of the Ottoman Turks. The story continued to resonate through the Enlightenment and into modern historiography, revealing the complex interactions of racial and religious conflict and evolving ideas of women’s sexuality.
In following the story of La Cava, Rodrigo, and Pelayo, Grieve explains how foundational myths and popular legends articulate struggles for national identity. She explores how myths are developed around few historical facts, how they come to be written into history, and how they are exploited politically, as in the expulsion of the Jews from Spain in 1492 followed by that of the Moriscos in 1609. Finally, Grieve focuses on the misogynistic elements of the story and asks why the fall of Spain is figured as a cautionary tale about a woman’s sexuality.
Table of Contents
Cover
Title Page
Copyright Page
Dedication
Contents
pp. vii-viii
List of Illustrations
pp. ix-x
Acknowledgments
pp. xi-xiv
Prologue
pp. 1-18
Act One: Fall and Redemption (711â1492)
pp. 19-20
1. Setting the Stage
pp. 21-45
2. Granada Is the Bride
pp. 46-64
3. Blood Will Out
pp. 65-106
Act Two: Promise and Fulfillment (1492â1700)
pp. 107-108
Interlude
pp. 109-121
4. Desiring the Nation
pp. 122-157
5. Here Was Troy, Farewell Spain!
pp. 158-202
Act Three: Imagining Spain (The Enlightenment to the Present)
pp. 203-204
6. Ancestral Ghosts and New Beginnings
pp. 205-240
Epilogue: Cultural Dialogues
pp. 241-244
Notes
pp. 245-280
Bibliography
pp. 281-302
Index
pp. 303-313
| ISBN | 9781421427867 |
|---|---|
| Related ISBN(s) | 9780801890369, 9781421429144 |
| DOI | 10.1353/book.60329![]() |
| MARC Record | Download |
| OCLC | 1048214937 |
| Pages | 328 |
| Launched on MUSE | 2018-08-15 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC-ND |
Accessibility Metadata
| Summary | The accessibility features of this publication's EPUB are not known. |
|---|---|
| Modes |
|
| Hazards |
|
| Features |
|
We are committed to making Project MUSE content accessible to people with a range of access needs and to providing useful, accurate information about its accessibility features. Accessibility information is based on both publisher-supplied information and enhancements made by Project MUSE. Because features can vary by title and format, this information may not capture every aspect of a user's experience.





