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As a co-founder of the PRC’s first unofficial literary journal Jintian (Today) in 1978, Mang Ke was born in 1950. He began writing poetry as a sent-down youth in Baiyangdian, rural Hebei province, during the Cultural Revolution. One of the progenitors of what would later be called Obscure or “Misty” poetry, his spare, impressionistic poems were among the first to break free of the imposed discourse of Maoism towards an image-based literary style that left space for both expression and interpretation. He currently makes his living as an abstract painter and lives in Songzhuang, an artists’ colony on the outskirts of Beijing.

Table of Contents

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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Translator's Foreword
  2. pp. vii-1
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  1. 1. The Vineyard
  2. pp. 2-3
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  1. 2. City
  2. pp. 4-9
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  1. 3. Frozen Land
  2. pp. 10-11
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  1. 4. Autumn
  2. pp. 12-17
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  1. 5. Dedications: 1972–1973
  2. pp. 18-23
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  1. 6. Sky
  2. pp. 24-29
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  1. 7. Moon on the Road
  2. pp. 30-33
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  1. 8. October Dedications
  2. pp. 34-51
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  1. 9. Street
  2. pp. 52-55
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  1. 10. I Am Wind
  2. pp. 56-59
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  1. 11. Wilderness
  2. pp. 60-63
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  1. 12. Sunlight
  2. pp. 64-65
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  1. 13. Dusk
  2. pp. 66-67
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  1. 14. Night on the Snow-covered Ground
  2. pp. 68-69
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  1. 15. A Day Like Today
  2. pp. 70-71
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  1. 16. Sunflower in the Sun
  2. pp. 72-73
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  1. 17. Old House
  2. pp. 74-75
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  1. 18. Lamp
  2. pp. 76-77
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  1. 19. One Night Later
  2. pp. 78-79
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  1. 20. Yesterday and Today
  2. pp. 80-85
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  1. 21. Late Years
  2. pp. 86-87
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  1. 22. Even After Death We Grow Old
  2. pp. 88-91
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  1. 23. from Time Without Time
  2. pp. 92-130
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  1. Translator Biographies
  2. pp. 131-132
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  1. Jintian series of contemporary literature
  2. pp. 133-134
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