In this Book

summary
Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, “Art is central to my life. Not being able to make or see art would be a major deprivation.” The Virginia native’s creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised “not as notable women artists but as notable artists who happen to be women.” In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women’s social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-x
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  1. Introduction
  2. pp. 11-12
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  1. Editorial Note
  2. pp. 13-14
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  1. “The Pedestal Has Crashed”: Issues Facing Women Artists in the South
  2. Martha R. Severens
  3. pp. 15-32
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  1. Sisterhoods of Spirit: Southern Women’s Clubs and Expositions
  2. Deborah C. Pollack
  3. pp. 33-42
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  1. Suffrage, Social Activism, and Women Artists of the South
  2. Evie Terrono
  3. pp. 43-48
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  1. “Of the South, for the South and by the South”: The Southern States Art League
  2. Karen Towers Klacsmann
  3. pp. 49-56
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  1. “Contrary Instincts”: Art History’s Gendered Color Line
  2. Erin R. Corrales-Diaz
  3. pp. 57-66
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  1. Eyes Wide Open: Modernist Women Artists in the South
  2. Daniel Belasco
  3. pp. 67-76
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  1. The Works of Art
  2. pp. 77-162
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  1. Acknowledgments
  2. pp. 163-164
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  1. Directory of Southern Women Artists
  2. pp. 165-220
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  1. Notes
  2. pp. 221-248
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  1. Contributors
  2. pp. 249-250
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  1. Index
  2. pp. 251-259
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Additional Information

ISBN
9781611179552
Related ISBN
9781611179545
MARC Record
OCLC
1022076481
Pages
264
Launched on MUSE
2018-05-28
Language
English
Open Access
No
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