In this Book

summary
The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-iv
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  1. Contents
  2. pp. v-viii
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  1. Foreword
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Introduction: A Body Comparable
  2. pp. xiii-xviii
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  1. Considering the Body as Archive
  2. Linda Caruso Haviland
  3. pp. 1-18
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  1. I. Bodied Knowing
  2. pp. 19-22
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  1. Everyone Has Something to Tell
  2. Alain Platel
  3. pp. 23-27
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  1. Stalking Embodied Knowledge—Then What?
  2. Tomie Hahn
  3. pp. 28-45
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  1. The Sensing and Knowing Body: Choreographing Action and Feeling
  2. Juhani Pallasmaa
  3. pp. 46-54
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  1. Use Me
  2. Meg Stuart
  3. pp. 55-57
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  1. A Body-Mind Centering® Approach to Movement through Embodiment
  2. Bonnie Bainbridge Cohen
  3. pp. 58-60
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  1. Pleasure
  2. Ralph Lemon
  3. p. 61
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  1. Slow
  2. Ralph Lemon
  3. p. 62
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  1. II. Memory, History, and Retrieval
  2. pp. 63-66
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  1. Memory Has Its Way with Me
  2. Barbara Dilley
  3. pp. 67-68
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  1. The Body Makes You Remember
  2. Ivo Van Hove
  3. pp. 69-72
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  1. Touching History
  2. Ann Cooper Albright
  3. pp. 73-81
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  1. My Discovery of Dance
  2. Allegra Kent
  3. pp. 82-86
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  1. We Dance What We Remember: Memory in Perceiving and Performing Contemporary Dance
  2. Catherine J. Stevens
  3. pp. 87-109
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  1. The Stories in Our Bodies
  2. Emily Johnson
  3. pp. 110-114
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  1. III. The Body in the Archive
  2. pp. 115-116
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  1. & We Should Live and Be Well: Five Artist Statements, 1995–2007
  2. David Gordon
  3. pp. 117-125
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  1. The Embodied Performance of Museum Visiting: Sacred Temples or Theaters of Memory?
  2. Laurajane Smith
  3. pp. 126-142
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  1. Sideways Glances: Painting and Dancing
  2. Sarah Crowner
  3. pp. 143-145
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  1. Leap Before You Look: Honoring the Libretto in Giselle and Apollo
  2. Nancy Goldner
  3. pp. 146-182
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  1. Body as Signifier
  2. Patricia Hoffbauer
  3. pp. 183-190
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  1. IV. Performing the Archive
  2. pp. 191-192
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  1. Untitled
  2. Bebe Miller
  3. pp. 193-197
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  1. My Body, the Archive
  2. Deborah Hay
  3. pp. 198-199
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  1. Choreographing Somatic Memories and Spatial Residues
  2. Jayachandran Palazhy
  3. pp. 200-224
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  1. Tremulous Histories
  2. Jenn Joy
  3. pp. 225-238
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  1. Exit/Exist—Embodiment
  2. Gregory Maqoma
  3. pp. 239-242
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  1. V. Afterlives and Transformations
  2. pp. 243-244
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  1. Pavilion of Secrets
  2. Marcia B. Siegel
  3. pp. 245-278
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  1. Archiving Indeterminate Systems of Ecosystems and Improvisational Dance Strategies
  2. Jennifer Monson
  3. pp. 279-283
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  1. Them: Recombinant Aesthetics of Restaging Experimental Performance
  2. Thomas F. Defrantz
  3. pp. 284-308
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  1. New Bodies, New Architecture
  2. Mariana Ibañez and Simon Kim
  3. pp. 309-312
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  1. Choreographic Angelology
  2. André Lepecki
  3. pp. 313-336
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  1. Contributors
  2. pp. 337-342
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  1. Index
  2. pp. 343-357
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Additional Information

ISBN
9780819577764
Related ISBN
9780819577740
MARC Record
OCLC
1008762449
Pages
360
Launched on MUSE
2018-05-15
Language
English
Open Access
No
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