In this Book

Genius Envy: Women Shaping French Poetic History, 1801–1900

Book
Adrianna M. Paliyenko
2017
summary

In Genius Envy, Adrianna M. Paliyenko uncovers a forgotten history: the multiplicity and diversity of nineteenth-century French women’s poetic voices. Conservative critics of the time attributed the phenomenon of genius to masculinity and dismissed the work of female authors as “feminine literature.” Despite the efforts of leading thinkers, critics, and literary historians to erase women from the pages of literary history, Paliyenko shows how these female poets invigorated the debate about the origins of genius and garnered considerable recognition in their time for their creativity and bold aesthetic ideas.

This fresh account of French women poets’ contributions to literature probes the history of their critical reception. The result is an encounter with the texts of celebrated writers such as Marceline Desbordes-Valmore, Anaïs Ségalas, Malvina Blanchecotte, Louisa Siefert, and Louise Ackermann. Glimpses at the different stages of each poet’s career show that these women explicitly challenged the notion of genius as gender specific, thus advocating for their rightful place in the canon.

A prodigious contribution to studies of nineteenth-century French poetry, Paliyenko’s book reexamines the reception of poetry by women within and beyond its original context. This balanced and comprehensive treatment of their work uncovers the multiple ways in which women poets sought to define their place in history.

Table of Contents

Cover

Half Title, Frontispiece, Title Page, Copyright, In Memoriam

Contents

pp. vii

List of Illustrations

pp. viii

Acknowledgments

pp. ix-x

Introduction

pp. 1-6

Part I: Reception Matters

pp. 7-8

Chapter 1: Un/sexing Genius

pp. 9-39

Chapter 2: Literary Reception and Its Discontents

pp. 40-68

Chapter 3: The Other History of French Poetry, 1801–1900

pp. 69-102

Part II: Women Thinking Through Poetry and Beyond

pp. 103-104

Chapter 4: Anaïs Ségalas on Race, Gender, and “la mission civilisatrice”

pp. 105-132

Chapter 5: Work, Genius, and the In Between in Malvina Blanchecotte

pp. 133-163

Chapter 6: The Poetic Edges of Dualism in Louisa Siefert

pp. 164-196

Chapter 7: Louise Ackermann’s Turn to Science

pp. 197-226

Chapter 8: Marie Krysinska on Eve, Evolution, and the Property of Genius

pp. 227-256

Conclusion

pp. 257-260

Notes

pp. 261-300

Bibliography

pp. 301-326

Index

pp. 327-352

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