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TV Drama in China
summary
The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-vii
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  1. Notes on Contributors
  2. pp. viii-xii
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  1. Introduction
  2. pp. 1-18
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  1. I. Tradition, History, and Politics
  1. 1. Yongzheng Dynasty and Totalitarian Nostalgia
  2. pp. 21-32
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  1. 2. Family Saga Serial Dramas and Reinterpretation of Cultural Traditions
  2. pp. 33-46
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  1. 3. “Clean Officials,” Emotional Moral Community, and Anti-corruption Television Dramas
  2. pp. 47-60
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  1. 4. Global Imaginary, Local Desire: Chinese Transnational Serial Drama in the 1990s
  2. pp. 61-72
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  1. II. Gender and Domestic Sphere
  1. 5. Family Matters: Reconstructing the Family on the Chinese Television Screen
  2. pp. 75-88
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  1. 6. Maids in the Televisual City: Competing Tales of Post-Socialist Modernity
  2. pp. 89-102
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  1. 7. Pink Dramas: Reconciling Consumer Modernity and Confucian Womanhood
  2. pp. 103-114
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  1. III. Production, Reception, and Distribution
  1. 8. A Brief History of Chinese Situation Comedies
  2. pp. 117-128
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  1. 9. Carnivalesque Pleasure: The Audio-visual Market and the Consumption of Television Drama
  2. pp. 129-144
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  1. 10. From National Preoccupation to Overseas Aspiration
  2. pp. 145-156
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  1. 11. A Trip Down Memory Lane: Remaking and Rereading the Red Classics
  2. pp. 156-171
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  1. IV. Co-productions and Pan-Asian Markets
  1. 12. Looking for Taiwan’s Competitive Edge: The Production and Circulation of Taiwanese TV Drama
  2. pp. 174-186
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  1. 13. From the Margins to the Middle Kingdom: Korean TV Drama’s Role in Linking Localand Transnational Production
  2. pp. 187-200
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  1. 14. Rescaling the Local and the National: Trans-border Production of Hong Kong TV Dramas in Mainland China
  2. pp. 201-216
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  1. Notes
  2. pp. 217-250
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  1. References
  2. pp. 251-268
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  1. Index
  2. pp. 269-276
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