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summary
In her exploration of the quest for God in Beckett's fiction, Barge discloses a powerful substratum of thematic and narrative movements underlying the rhetoric of Beckett's texts. By studying examples of myth-making structures in representative selections of the fiction, she reveals their profundity and centrality to the whole of Beckett's visionary thought and art. Selections range from Assumption to Company, with attention focused both on the texts and on the criticism concerning them.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. 1-6
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  1. Contents
  2. pp. 7-8
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  1. Foreword
  2. pp. 9-14
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  1. Beckett, God, and Their Critics
  2. pp. 15-59
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  1. Paradigms of Heroes and Quests
  2. pp. 60-75
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  1. Blue Flowers and Belacqua's Girls
  2. pp. 76-106
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  1. Watt, Knott, and a Pillow of Words
  2. pp. 107-167
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  1. Malone Dies, a Story of Grave Play
  2. pp. 168-210
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  1. A Trilogy of Selves, and Large Hollow Spheres
  2. pp. 211-254
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  1. How It Is with Journeys and Fish
  2. pp. 255-276
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  1. Messy Memories and Abortive Art
  2. pp. 277-297
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  1. Disappearing Company and a Missing Word
  2. pp. 298-315
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  1. Conclusion
  2. pp. 316-332
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  1. Classified Bibliographic Listing
  2. pp. 333-340
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  1. Index
  2. pp. 341-352
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  1. Back Cover
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