In this Book

summary

In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.

In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert’s correspondence, the work of literary critics, and Jean-Paul Sartre’s analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.

Table of Contents

Cover, Frontmatter , Contents, Preface

1. A Problem in Reading

pp. 15-29

2. The Trial

pp. 30-52

3. From Trial to Text

pp. 53-64

4. Flaubert's Projects: Pure Art and Carnivalization

pp. 65-117

5. Dual Style

pp. 118-125

6. Narrative Practice and Free Indirect Style

pp. 126-149

7. Selected Passages

pp. 150-168

8. Aspects of the Novel

pp. 169-208

9. Conclusion

pp. 209-216

Index

pp. 217-219
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