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Deleuze’s and Guattari’s philosophy in the field of artistic researchGilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship.

The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Contributors
VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė

VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa

Table of Contents

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  1. The Dark Precursor: Deleuze and Artistic Research, Volume 1
  1. Half Title, Title Page, Copyright
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  1. Table of Contents
  2. pp. 5-8
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  1. Preface
  2. Paulo de Assis
  3. pp. 9-24
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  1. Part 1: Sound
  1. The Obscure Precursor, French Modernism, and the Musics of the World
  2. Edward Campbell
  3. pp. 27-35
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  1. The Executing Machine: Deleuze, Boulez, and the Politics of Desire
  2. Martin Scherzinger
  3. pp. 36-55
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  1. Deleuze’s Fold in the Performing Practice of Aaron Cassidy’s The Pleats of Matter
  2. Diego Castro-Magas
  3. pp. 56-66
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  1. Variables, Diagrams, Process
  2. Pascale Criton
  3. pp. 67-75
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  1. Performing Music, Performing the Figure: Deleuze and Painting
  2. Lois Fitch
  3. pp. 76-84
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  1. Machining the Voice through the Continuous Variation
  2. Paolo Galli
  3. pp. 85-104
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  1. Templates for Technique in Mantel and Lachenmann: Between Transcendence and Immanence
  2. Keir GoGwilt
  3. pp. 105-113
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  1. L’image-temps: Conceptual Foundations of My Compositional Approach
  2. Nicolas Marty
  3. pp. 128-136
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  1. Circumstantial Scores, Graphic Scores, Extended Scores: The Work as “Ecopraxic” Rediagrammatisation
  2. Frédéric Mathevet
  3. pp. 137-144
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  1. Perform Now!: The Ethics of Musical Improvisation
  2. Vincent Meelberg
  3. pp. 145-151
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  1. Thinking Sound through the Notion of the Time-Image: Deleuze’s Cinema Studies as a Model for Problematising Sound in Artistic Practice
  2. Gabriel Paiuk
  3. pp. 152-158
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  1. Re-Notations: Flattening Hierarchies and Transforming Functions
  2. Einar Torfi Einarsson
  3. pp. 159-166
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  1. Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in
  2. Steve Tromans, Mike Fletcher
  3. pp. 167-173
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  1. A Journey of Refrains, Vibes, and Ambiences: Félix Guattari in Terms of the Techno Party Scene
  2. Toshiya Ueno, aka Toshiya the Tribal
  3. pp. 174-190
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  1. Part 2: Writing and Staging
  1. Corpus Delicti #2 // Untimely Precursors: Lecture Performance
  2. Arno Böhler, Susanne Valerie
  3. pp. 193-213
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  1. Deleuze’s Expressionism as an Ontology for Theatre
  2. Zornitsa Dimitrova
  3. pp. 214-221
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  1. Space and Sensation: Zoé Degani’s Art of Pluralising Signs Onstage
  2. Lindsay Gianoukas
  3. pp. 222-241
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  1. Journey into the Unknown: Romeo Castellucci’s Theatre of Signs
  2. Oleg Lebedev
  3. pp. 242-251
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  1. From Schizoproduction to Non-standard Artistic Research
  2. Tero Nauha
  3. pp. 252-260
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  1. Deleuze and Perversion
  2. Catarina Pombo Nabais
  3. pp. 261-271
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  1. Deleuze, Simondon, and Beckett: From Being to Becoming
  2. Audronė Žukauskaitė
  3. pp. 272-278
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  1. Appendix
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  1. Institute Info
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  1. Other titles in this series
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  1. The Dark Precursor: Deleuze and Artistic Research, Volume 2
  1. Half Title, Title Page, Copyright
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  1. Table of Contents
  2. pp. 285-290
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  1. Part 1: Image
  1. On Contemporary Art and Philosophy: Towards a Diagrammatic Critique of Aesthetics
  2. Éric Alliez
  3. pp. 293-308
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  1. Deleuze and Guattari’s Digital Art Machines
  2. Anne Sauvagnargues
  3. pp. 309-314
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  1. Heterogeneity of Word and Image: What is the Possible Dark Precursor?
  2. Jūratė Baranova
  3. pp. 315-325
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  1. Godard and/with Deleuze: “C’est comme ça que le monde naît”
  2. Zsuzsa Baross
  3. pp. 326-337
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  1. No Voice is Lost: or, The Dead as a Witness
  2. Anna Barseghian, Stefan Kristensen
  3. pp. 338-344
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  1. )( Z )(
  2. Lucia D’Errico
  3. p. 345
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  1. Digital Folds, or Cinema’s Automated Brain
  2. Elena Del Río
  3. pp. 346-353
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  1. Beyond Artist and Artisan: Performing Unformed Sound in the Art Machine
  2. Lilija Duoblienė
  3. pp. 354-365
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  1. Hollywood Flatlands: Taking a Line for a Walk
  2. Verina Gfader
  3. pp. 366-374
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  1. Bacon and the Cartoonist: The Emergence of the Figure through Two Opposing Diagrams
  2. John Miers
  3. pp. 375-385
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  1. al niente—a dissolution : Thinking in Images and Sounds
  2. Adreis Echzehn, Elfie Miklautz
  3. pp. 386-389
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  1. Drawings from A Thousand Plateaus
  2. Marc Ngui
  3. pp. 390-394
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  1. The Image as a Process of Invention within Artistic Research
  2. Andreia Oliveira, Felix Rebolledo
  3. pp. 395-400
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  1. Matter-flow: Studies of Minor Composition
  2. Federica Pallaver
  3. pp. 401-407
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  1. perpetual doubt, constant becoming
  2. Mhairi Vari
  3. pp. 408-414
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  1. The Fold: A Physical Model of Abstract Reversibility and Envelopment
  2. Elisabet Yanagisawa
  3. pp. 415-428
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  1. Part 2: Space
  1. Urban War Machines
  2. Manola Antonioli
  3. pp. 431-436
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  1. Transmissibility: A Mode of Artistic Re-search
  2. Jae Emerling
  3. pp. 437-445
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  1. Architecture and Indifference
  2. Ronny Hardliz
  3. pp. 446-455
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  1. Zigzagging: Bound by the Absence of a Tie
  2. Andrej Radman
  3. pp. 456-468
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  1. Part 3: Politics
  1. The Fear of Boredom
  2. Ian Buchanan
  3. pp. 471-480
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  1. Art, Knowledge, and the In-between
  2. Rahma Khazam
  3. pp. 481-487
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  1. In the Act: The Shape of Precarity
  2. Erin Manning
  3. pp. 488-509
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  1. On the Concept of Creal: The Politico-Ethical Horizon of a Creative Absolute
  2. Luis de Miranda
  3. pp. 510-516
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  1. Affects of Indeterminacy and Silence as Aleatory Intervals between Art and Philosophy: A Deleuzian Reading
  2. Janae Sholtz
  3. pp. 517-525
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  1. Something Along the Lines of . . .
  2. Mick Wilson
  3. pp. 526-560
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  1. Index
  1. Index of Names
  2. pp. 561-566
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  1. Index of Subjects
  2. pp. 567-570
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  1. Institute Info
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  1. Other titles in this series
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