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Lukácsian film theory and cinema
summary
Students and lecturers in film studies

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-iv
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  1. Contents
  2. p. v
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  1. Preface
  2. pp. vi-x
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  1. Part I. An analysis of Lukács’ writings on film
  2. pp. 1-2
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  1. 1 The early aesthetic and ‘Thoughts Towards an Aesthetic of the Cinema’/‘Gedanken zu einer Ästhetic des Kino’
  2. pp. 3-35
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  1. 2 Narrate or describe? Lukács’ literary ‘typology’
  2. pp. 36-68
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  1. 3 Lukács’ late aesthetic and film theory: The Specificity of the Aesthetic/Die Eigenart des Ästhetischen
  2. pp. 69-104
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  1. 4 Socialist humanism and Toward the Ontology of Social Being/Zur Ontologie des gesellschaftslichen Seins
  2. pp. 105-127
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  1. 5 The film journal interviews and other writings
  2. pp. 128-163
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  1. 6 Conclusions
  2. pp. 164-178
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  1. Part II The film writings, 1913–71
  1. 7 ‘Thoughts Towards an Aesthetic of the Cinema’
  2. pp. 181-186
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  1. 8 ‘Film’
  2. pp. 187-217
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  1. 9 ‘On Aesthetic Issues of the Cinema’
  2. pp. 218-230
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  1. 10 ‘Blue Devil or Yellow Devil?’
  2. pp. 231-236
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  1. 11 ‘Cultural Manipulation and the Tasks of Critics’
  2. pp. 237-241
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  1. 12 ‘Film, Ideology and the Cult of Personality’
  2. pp. 242-243
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  1. 13 ‘Technique, Content, and Problems of Language’
  2. pp. 244-255
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  1. 14 ‘Expression of Thought in Film’
  2. pp. 256-262
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  1. 15 ‘Revolution and Psychology of Everyday Life’
  2. pp. 263-268
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  1. Bibliography
  2. pp. 269-278
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  1. Index
  2. pp. 279-283
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