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This concise book is an in-depth analysis of Hong Kong director Peter Chan’s dramedy ‘He’s a Woman, She’s a Man,’ including the artistic, cultural, socio-economic and political aspects of the film, with an emphasis on audience/spectator response, globalism, gender and sexual orientation, and the figure of actor Leslie Cheung.

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Copyright
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  1. Table of Contents
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  1. Series Preface
  2. pp. ix-xi
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  1. Acknowledgements
  2. pp. xiii-xiv
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  1. 1. Comedy and More
  2. pp. 1-11
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  1. 2. Camera, Sound, and Music
  2. pp. 13-29
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  1. 3. Cross-Dressing, Gender-Bending, and Sexual Orientation
  2. pp. 31-57
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  1. 4. Commerce and Globalization
  2. pp. 59-84
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  1. 5. Audience
  2. pp. 85-107
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  1. Notes
  2. pp. 109-143
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  1. Credits
  2. pp. 145-147
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  1. Filmography
  2. pp. 149-150
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