In this Book

summary
Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.

Table of Contents

  1. Cover
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  1. Half Title, Series Info, Frontispiece, Title Page, Copyright
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Emergency and the Everyday
  1. Processing Emergency
  2. pp. 1-11
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  1. Shifting Realisms: River of Grass to Old Joy
  2. pp. 11-35
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  1. Precarity: Wendy and Lucy
  2. pp. 35-49
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  1. Duration: Meek’s Cutoff
  2. pp. 49-71
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  1. Environment: Night Moves
  2. pp. 71-85
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  1. Aftermath
  2. pp. 85-110
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  1. An Interview with Kelly Reichardt
  2. pp. 111-124
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  1. Filmography
  2. pp. 125-130
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  1. Bibliography
  2. pp. 131-136
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  1. Index
  2. pp. 137-140
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  1. About the Authors
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  1. Further Series Titles
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Additional Information

ISBN
9780252050107
Related ISBN
9780252041242
MARC Record
OCLC
1017004325
Pages
168
Launched on MUSE
2018-01-03
Language
English
Open Access
No
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