In this Book
- Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration
- Published by: Northwestern University Press
- View Citation
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
With its powerful dramatization of the camp experience, The Last Stage shaped subsequent Shoah films, establishing several quasi-documentary themes easily discernible in later Holocaust narratives: the dark, “realistic” images of the camp; the passionate moralistic appeal; and the clear divisions between victims and perpetrators. Jakubowska’s film introduced the images of camp life that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families, and tracking shots over the belongings left by the gassed camp victims. These and other images reinforced the depiction of Nazi German concentration camps and are discernible in a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993).
Haltof discusses the unusual circumstances that surrounded the production of the film on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.
Table of Contents
- pp. v-vi
- pp. vii-viii
- List of Abbreviations
- pp. ix-x
- pp. 3-12
- Chapter 4. The Film and Its Reception
- pp. 75-100
- Chapter 7. The Legacy of Wanda Jakubowska
- pp. 135-146
- pp. 147-170
- pp. 171-186
- The Last Stage: Film Credits
- pp. 187-188
- Filmography: Wanda Jakubowska’s Feature Films
- pp. 189-190
- pp. 191-197