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In 1984 at the Free University of Berlin, the African American poet Audre Lorde asked her Black, German-speaking women students about their identities. The women revealed that they had no common term to describe themselves and had until then lacked a way to identify their shared interests and concerns. Out of Lorde's seminar emerged both the term "Afro-German" (or "Black German") and the 1986 publication of the volume that appeared in English translation as Showing Our Colors: Afro-German Women Speak Out. The book launched a movement that has since catalyzed activism and scholarship in Germany.

Remapping Black Germany collects thirteen pieces that consider the wide array of issues facing Black German groups and individuals across turbulent periods, spanning the German colonial period, National Socialism, divided Germany, and the enormous outpouring of Black German creativity after 1986.

In addition to the editor, the contributors include Robert Bernasconi, Tina Campt, Maria I. Diedrich, Maureen Maisha Eggers, Fatima El-Tayeb, Heide Fehrenbach, Dirk Göttsche, Felicitas Jaima, Katja Kinder, Tobias Nagl, Katharina Oguntoye, Peggy Piesche, Christian Rogowski, and Nicola Lauré al-Samarai.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-x
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  1. Introduction
  2. Sara Lennox
  3. pp. 1-32
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  1. 1. Knowledges of (Un-) Belonging: Epistemic Change as a Defining Mode for Black Women’s Activism in Germany
  2. Maureen Maisha Eggers
  3. pp. 33-45
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  1. 2. Inspirited Topography: Haunting Survivals and the Location of Experience in Black German Traditions of Knowledge and Culture
  2. Nicola Lauré al-Samarai
  3. pp. 46-66
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  1. 3. Self-Assertion, Intervention, and Achievement: Developments in Contemporary Black German Writing
  2. Dirk Göttsche
  3. pp. 67-90
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  1. 4. After the German Invention of Race: Conceptions of Race Mixing from Kant to Fischer and Hitler
  2. Robert Bernasconi
  3. pp. 91-104
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  1. 5. Counterfeit Money/Counterfeit Discourse: A Black German Trickster Tale
  2. Tobias Nagl
  3. pp. 105-117
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  1. 6. Black Voices on the “Black Horror on the Rhine”?
  2. Christian Rogowski
  3. pp. 118-134
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  1. 7. Black “Others”?: African Americans and Black Germans in the Third Reich
  2. Maria I. Diedrich
  3. pp. 135-148
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  1. 8. The Motion of Stillness: Diaspora, Stasis, and Black Vernacular Photography
  2. Tina Campt
  3. pp. 149-170
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  1. 9. My 13 Years under the Nazi Terror
  2. Martha Stark, Felicitas Rütten Jaima
  3. pp. 171-202
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  1. 10. Black Occupation Children and the Devolution of the Nazi Racial State
  2. Heide Fehrenbach
  3. pp. 203-225
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  1. 11. Making African Diasporic Pasts Possible: A Retrospective View of the GDR and its Black (Step-)Children
  2. Peggy Piesche
  3. pp. 226-242
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  1. 12. Blackness and its (Queer) Discontents
  2. Fatima El-Tayeb
  3. pp. 243-258
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  1. 13. Looking Backward and Forward: Twenty Years of the Black Women’s Movement in Germany
  2. Katharina Oguntoye, Katja Kinder, Maureen Maisha Eggers, and Peggy Piesche
  3. pp. 259-273
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  1. Epilogue. Of Epistemologies and Positionalities: A Conversation, Berlin, October 21, 2014
  2. Peggy Piesche and Sara Lennox
  3. pp. 274-282
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  1. Notes on Contributors
  2. pp. 283-288
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  1. Index
  2. pp. 289-304
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  1. Back Cover
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