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For many Americans, the emergence of a “porno chic” culture provided an opportunity to embrace the sexual revolution by attending a film like Deep Throat (1972) or leafing through an erotic magazine like Penthouse. By the 1980s, this pornographic moment was beaten back by the rise of Reagan-era political conservatism and feminist anti-pornography sentiment. This volume places pornography at the heart of the 1970s American experience, exploring lesser-known forms of pornography from the decade, such as a new, vibrant gay porn genre; transsexual/female impersonator magazines; and pornography for new users, including women and conservative Christians. The collection also explores the rise of a culture of porn film auteurs and stars as well as the transition from film to video. As the corpus of adult ephemera of the 1970s disintegrates, much of it never to be professionally restored and archived, these essays seek to document what pornography meant to its producers and consumers at a pivotal moment. In addition to the volume editors, contributors include Peter Alilunas, Gillian Frank, Elizabeth Fraterrigo, Lucas Hilderbrand, Nancy Semin Lingo, Laura Helen Marks, Nicholas Matte, Jennifer Christine Nash, Joe Rubin, Alex Warner, Leigh Ann Wheeler, and Greg Youmans.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-x
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  1. Introduction
  2. Whitney Strub and Carolyn Bronstein
  3. pp. 1-24
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  1. Part I. Films
  1. 1. From Porno Chic to Porno Bleak: Representing the Urban Crisis in 1970s American Pornography
  2. Whitney Strub
  3. pp. 27-52
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  1. 2. Re-Sexualizing Scrooge: Gender, Spectatorship, and the Subversion of Genre in Shaun Costello’s the Passions of Carol
  2. Laura Helen Marks
  3. pp. 53-82
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  1. 3. Desiring Desiree
  2. Jennifer C. Nash
  3. pp. 83-103
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  1. 4. Making Sense of Linda Lovelace
  2. Nancy Semin Lingo
  3. pp. 104-122
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  1. Part II. Magazines/Print Culture
  1. 5. Mass-Market Pornography for Women: Bob Guccione’s Viva Magazine and the New Woman of the 1970s
  2. Carolyn Bronstein
  3. pp. 125-153
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  1. 6. The Economic and Racial Politics of Selling a Transfeminine Fantasy in 1970s Niche and Pornographic Print Publications
  2. Nicholas Matte
  3. pp. 154-177
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  1. 7. “Think about That Special Man Who’s on His Way Home to You”: Conservative Women’s Sexualization of Marriage in the 1970s
  2. Gillian Frank
  3. pp. 178-195
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  1. 8. “Soft-Core Feminism”?: Playboy, Christie Hefner, and the Feminist Antipornography Movement
  2. Elizabeth Fraterrigo
  3. pp. 196-226
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  1. Part III. Political Contexts of Pornography
  1. 9. “Handmaiden of the Pornographer,” Champion of Free Speech: The American Civil Liberties Union and Sexual Expression in the 1970s and 1980s
  2. Leigh Ann Wheeler
  3. pp. 229-248
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  1. 10. Feminism Meets Fisting: Antipornography, Sadomasochism, and the Politics of Sex
  2. Alex Warner
  3. pp. 249-273
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  1. 11. Suppressing the Revolt of the Perverts: Gay Activist Filmmaking and the Child Pornography Panic of the Late 1970s
  2. Greg Youmans
  3. pp. 274-300
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  1. Part IV. Preserving Pornography: History, Memory, Legacy
  1. 12. Bridging the Gap: Adult Video News and the “Long 1970s”
  2. Peter Alilunas
  3. pp. 303-326
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  1. 13. Historical Fantasies: 1970s Gay Male Pornography in the Archives
  2. Lucas Hilderbrand
  3. pp. 327-348
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  1. Afterword. Fading Flesh: Personal Reflections on the Quest to Preserve Hardcore Cinema
  2. Joe Rubin
  3. pp. 349-358
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  1. Notes on Contributors
  2. pp. 359-362
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  1. Index
  2. pp. 363-367
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  1. Back Cover
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