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This book undertakes the most comprehensive and theoretically rigorous examination to date of Luis Rafael Sanchez's work in the context of cultural politics in Puerto Rico, and of the international and regional dimensions of Sanchez's work in relation to the unique status of Puerto Rico as a commonwealth and colony. It explores Sanchez's ambivalent position as a member of an intellectual elite, a spokesman for el pueblo, and a Puerto Rican mulatto whose working-class background allows him to highlight unprecedented possibilities for political agency within popular and mass culture.

Through analyses of Sanchez's theater, prose, and essays, John Perivolaris examines continuing struggles to define Puerto Rican cultural identity. His detailed readings illuminate Sanchez's ironically humorous deployment of traditionally conservative paradigms of national and individual identity in his postcolonial critique of racialization, gender, sexuality, and Hispanism in the colony. This study fills a long-standing need for an introduction to the work of a major Caribbean and Latin American writer.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. 1-8
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  1. Contents
  2. pp. 9-10
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  1. Acknowledgments
  2. pp. 11-12
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  1. Abbreviations
  2. pp. 13-14
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  1. Introduction
  2. pp. 15-30
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  1. 1. "¡El Cuento No Es El Cuento! ¡el Cuento Es Quien Lo Cuenta!": Terms of Identity In Quíntuples (1985)
  2. pp. 31-56
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  1. 2. La Guagua Aérea; Moving Pictures of Puerto Rlcan Nationality at Thirty-One Thousand Feet
  2. pp. 57-88
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  1. 3. Family Violence, Puerto Rican Blackness, and the Caribbean Context of Three Short Stories
  2. pp. 89-115
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  1. 4. From La Guaracha Del Macho Camacho (1976) to La Importancia De Llamarse Daniel Santos (1988): Modernity, Popular Culture, and the Popular Hero
  2. pp. 116-146
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  1. 5. Writing Class: The Essays
  2. pp. 147-180
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  1. Beyond Puerto Rico: Theories of Survival into a Postcolonial Future
  2. pp. 181-191
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  1. Bibliography
  2. pp. 192-208
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