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Ishiro Honda: A Life in Film, from Godzilla to Kurosawa

Book
Steve Ryfle and Ed Godziszewski
2017
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Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director's life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda's work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda's films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema.

Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda's Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).

Table of Contents

Cover

Title Page, Copyright Page

pp. i-iv

Contents

pp. v-vi

Foreword

pp. vii-viii

Acknowledgments

pp. ix-x

Introduction

pp. xi-xxvi

I. Dreams and Nightmares: 1911–45

pp. 1-2

1. A Boy from the Mountains

pp. 3-5

2. Tokyo

pp. 6-10

3. Film School Lessons

pp. 11-13

4. A Reluctant Soldier

pp. 14-17

5. Forging Bonds

pp. 18-25

6. War

pp. 26-34

II. Awakenings: 1946–54

pp. 35-36

7. Starting Over

pp. 37-42

8. Allegiances and Alliances

pp. 43-45

9. The Documentaries

pp. 46-51

10. Sea, Land, and Sky

pp. 52-80

III. Science Fiction: 1954–64

pp. 81-82

11. No Laughing Matter

pp. 83-107

12. Obligations

pp. 108-118

13. Youth Movement

pp. 119-129

14. Lovers and Aliens

pp. 130-141

15. Brides, Blobs, and a Bomb

pp. 142-151

16. Marriage, Money, and the Moon

pp. 152-163

17. Accidental Monsters

pp. 164-181

18. Going Global

pp. 182-195

19. Dangerous Waters

pp. 196-205

20. Monsters and Gangsters

pp. 206-218

IV. Good-Bye, Godzilla: 1965–75

pp. 219-220

21. East Meets West

pp. 221-237

22. Monsters or Bust

pp. 238-272

V. At Kurosawa’s Side: 1976–93

pp. 273-274

23. Rhapsody in Autumn

pp. 275-298

Afterword

pp. 299-300

Ishiro Honda Filmography

pp. 301-304

Notes

pp. 305-316

Index

pp. 317-325

Illustrations

pp. A-P
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