In this Book

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The books takes an interdisciplinary approach to analyze Fruit Chan’s Made in Hong Kong, using perspectives ranging from sociology, history, film studies, cultural and critical theories, and globalization studies.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Table of Contents
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  1. Series Preface
  2. pp. ix-xii
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  1. Acknowledgements
  2. pp. xiii-xvi
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  1. 1. Introduction: History beyond the Death Trips
  2. pp. 1-20
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  1. 2. Authenticity and Independence: Fruit Chan and Independent Filmmaking
  2. pp. 21-38
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  1. 3. There Are Many Ways to Be Realistic
  2. pp. 39-52
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  1. 4. The Art of D
  2. pp. 53-78
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  1. 5. In Search of the Ghostly in Context
  2. pp. 79-100
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  1. 6. In Search of the Ghostly in Urban Spaces*
  2. pp. 101-124
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  1. 7. Epilogue: Grassrooting Cinematic Practices
  2. pp. 125-128
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  1. Appendix 1. Interview with Fruit Chan
  2. pp. 129-144
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  1. Appendix 2. Funding Sources and Awards
  2. pp. 145-150
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  1. Notes
  2. pp. 151-166
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  1. Credits
  2. pp. 167-170
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  1. Bibliography
  2. pp. 171-178
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