In this Book

summary
This book of electronic literature (e-lit) brings together pioneering and emerging women whose work has earned international impact and scholarly recognition. It extends a historical critical overview of the state of the field from the diverse perspectives of twenty-eight worldwide contributors. It illustrates the authors’ scholarly interests through discussion of creative practice as research, historical accounts documenting collections of women’s new media art and literary works, and art collectives. It also covers theoretical approaches and critical overviews, from feminist discourses to close readings and “close-distant-located readings” of pertinent works in the field. #WomenTechLit includes authors from Latin America, Russia, Austria, Ireland, Spain, France, Italy, Portugal, Slovakia, Czech Republic, Poland, United Kingdom, Australia, Canada, and the US.
 
This volume will be a useful reference for educators, practice-based researchers, and scholars, not only of electronic literature but also in the adjacent areas of language art, new media art practices, digital humanities, and feminist studies.
 

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-iv
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  1. Contents
  2. pp. v-viii
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  1. Foreword: Why #WomenTechLit?
  2. N. Katherine Hayles
  3. pp. ix-xii
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  1. Introduction
  2. María Mencía
  3. pp. xiii-xxii
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  1. I. Histories of Digital Writing Practice
  2. pp. 1-2
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  1. Women Innovate: Contributions to Electronic Literature (1990- 2010)
  2. M.D. Coverley // Marjorie Coverley Luesebrink
  3. pp. 3-28
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  1. Women making new media at the trAce Online Writing Community 1995-2005
  2. Sue Thomas
  3. pp. 29-40
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  1. At The Speed Of Light: Cyberfeminism, Xenofeminism and the Digital Ecology Of Bodies
  2. Maria Angel and Anna Gibbs
  3. pp. 41-54
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  1. Latin American Electronic Literature: When, Where, and Why
  2. Claudia Kozak
  3. pp. 55-72
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  1. A Kaleidoscope of Slovak and Czech Electronic Literature
  2. Zuzana Husárová
  3. pp. 73-96
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  1. A Diorama of Digital Literature in Spain
  2. Dolores Romero López
  3. pp. 97-114
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  1. Digital Poetry Evolution and the Art of Machines
  2. Jeneen Naji
  3. pp. 115-130
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  1. Digital Letterisms: Alternumeric Orders
  2. Natalia Fedorova
  3. pp. 131-152
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  1. II. Digital Writing Practice: Practitioners
  2. pp. 153-154
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  1. Generative Activity in Art and Literature
  2. Kate Armstrong
  3. pp. 155-164
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  1. Between Page and Screen
  2. Amaranth Borsuk
  3. pp. 165-176
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  1. Notes on the Composition of Notes on the Voyage of Owl and Girl
  2. J. R. Carpenter
  3. pp. 177-188
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  1. Transient Self-Portrait: The Data-Self
  2. María Mencía
  3. pp. 189-210
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  1. The Evolution and Actualisation of #PRISOM: a Literary Anti-Surveillance Game
  2. Mez Breeze
  3. pp. 211-226
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  1. Literary and Musical Dialoguing: Sound, Voice, and Screen Synergies
  2. Hazel Smith
  3. pp. 227-242
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  1. Excavating Underbelly - By
  2. Christine Wilks
  3. pp. 243-254
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  1. A “Rhetoric for Creative Authoring” and the Author’s Intent
  2. Odile Farge
  3. pp. 255-264
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  1. III. Critical Overviews of Digital Writing Practice
  2. pp. 265-266
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  1. Gender as Patterns: Unfixed Forms in Electronic Poetry
  2. Giovanna di Rosario
  3. pp. 267-284
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  1. In Search of a Female Technological Identity in Electronic Literature: Dancing with the Spanish Domestic Cyborg
  2. María Goicoechea and Laura Sánchez
  3. pp. 285-302
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  1. Surface Reading The UpsideDown Chandelier: Interface “Mastery” and Feminism
  2. Kathi Inman Berens
  3. pp. 303-318
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  1. Poetic Tweets from the Avant-Garde to Digital Literature
  2. Angelica J. Huizar
  3. pp. 319-330
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  1. R(e)orienting Poetics and Lived Spaces “Between"
  2. Laura Shackelford
  3. pp. 331-354
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  1. A Comparative Study of Shu Lea Cheang’s Brandon
  2. Maya Zalbidea Paniagua
  3. pp. 355-364
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  1. IV. The Migration of Forms
  2. pp. 365-366
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  1. The Legacy of Judy Malloy
  2. Dene Grigar
  3. pp. 367-380
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  1. its Name was Penelope, a Generative Hypertext
  2. Judy Malloy
  3. pp. 381-396
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  1. Marble Springs: A journey of an electronic work from the pre-dawn of the Internet to today’s Golden Age
  2. Deena Larsen
  3. pp. 397-408
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  1. The Making and Unmaking of Califia
  2. M.D. Coverley // Marjorie Coverley Luesebrink
  3. pp. 409-416
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  1. The Death and Re-Distribution of V
  2. Stephanie Strickland
  3. pp. 417-426
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  1. Contributor Biographies
  2. pp. 427-434
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Additional Information

ISBN
9781943665914
Related ISBN
9781943665907
MARC Record
OCLC
1000441700
Pages
456
Launched on MUSE
2017-08-23
Language
English
Open Access
No
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