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A Curious Peril examines the prose penned by modernist writer H.D. in the aftermath of World War II, a little-known body of work that has been neglected by scholars, and argues that the trauma H.D. experienced in London during the war profoundly changed her writing. Lara Vetter reveals a shift in these writings from classical "escapist" settings to politically aware explorations of gender, spirituality, nation, and imperialism. Impelled by the shocking political crises of the early 1940s, and increasingly sensitive to imperialist logics, H.D. began to write about the history of modern Europe using innovative forms and genres. She directed her well-known interest in mysticism and otherworldly themes toward the material world of empire-building and perpetual war. Vetter contends that H.D.'s postwar work is essential to understanding the writer's entire career, marking her entrance into late modernism and even foretelling crucial aspects of postmodernism."Demonstrating how literary aspects of H.D.'s late prose contribute to politically attuned cultural work, Vetter astutely counters longstanding claims about H.D.'s 'escapism.'"—Miranda Hickman, author of The Geometry of Modernism "An important, meticulously researched treatment of H.D.'s post-WWII writing that helps us understand her multiple genre-bending and time-warping moves."—Madelyn Detloff, author of The Value of Virginia Woolf

Table of Contents

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  1. Cover
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  1. Half Title, Press Info, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-x
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  1. H.D.’s Post–World War II Writings: A Chronology
  2. p. xi
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  1. Introduction
  2. pp. 1-30
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  1. Part I. De-formations: Trauma, Genre, and The Sword Went Out to Sea
  2. pp. 31-32
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  1. 1. Autobiography and Ghost Story
  2. pp. 33-53
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  1. 2. Mysticism and Time Travel
  2. pp. 54-78
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  1. 3. Märchen and Historical Fiction
  2. pp. 79-102
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  1. Part II. Critique: Gendered Narratives of Nation and Imperialism
  2. pp. 103-104
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  1. 4. By Avon River, Arranged Marriage, and Shakespeare’s Empire
  2. pp. 105-124
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  1. 5. Disappearing Bodies in White Rose and the Red
  2. pp. 125-138
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  1. Interlude
  1. 6. The Mystery
  2. pp. 141-154
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  1. Part III. Re-formations: Postwar Ethics and Identity
  2. pp. 155-156
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  1. 7. Facing the Past, Becoming l’autre
  2. pp. 157-172
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  1. 8. The Invisible Other: The Psychoanalyst as Spy
  2. pp. 173-192
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  1. Coda
  2. pp. 193-198
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  1. Notes
  2. pp. 199-234
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  1. Works Cited
  2. pp. 235-248
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  1. Works Mentioned that H.D. Owned and/or Read
  2. pp. 249-254
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  1. Index
  2. pp. 255-265
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  1. About the Author
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